de Mille, Agnes (Agnes George de Mille) (də mĭl), 1905–93, American choreographer and dancer, b. New York City; granddaughter of Henry George George, Henry, 1839–97, American economist, founder of the single tax movement, b. Philadelphia. Of a poor family, his formal education was cut short at 14, and in 1857 he emigrated to California; there he worked at various occupations before turning to
..... Click the link for more information. , daughter of playwright director W. C. de Mille, and niece of Cecil B. De Mille De Mille, Cecil B. (Cecil Blount De Mille), 1881–1959, American movie director and producer, b. Ashfield, Mass. In 1913, together with Samuel Goldwyn , he made the first feature-length film in Hollywood, The Squaw Man.
..... Click the link for more information. . After her concert debut in 1928, she went to London and worked with Antony Tudor Tudor, Antony, 1909–87, English choreographer and dancer. Tudor went to the United States at the invitation of the Ballet Theatre, New York City (1939); he danced leading roles and created ballets for several English and American companies and was later the
..... Click the link for more information. at Marie Rambert Rambert, Dame Marie, 1888–1982, a founder of the English ballet, b. Warsaw as Miriam Rambam. Trained by Jacques Dalcroze in eurythmics, Rambert joined the Diaghilev Ballet Russe as an instructor in 1913.
..... Click the link for more information. 's Ballet Club. At the Ballet Russe de Monte Carlo, she created her first important ballet, Rodeo (1942), which included tap dancing and movements reminiscent of the American West.

De Mille brought ballet form to musical comedy, using dance to enhance the plot and move the story along, first in Oklahoma! (1943), and later in such musicals as Bloomer Girl (1944), Carousel (1945), Brigadoon (1947), and Paint Your Wagon (1951). She created dances for the American Ballet Theatre American Ballet Theatre, one of the foremost international dance companies of the 20th cent. It was founded in 1937 as the Mordkin Ballet and reorganized as the Ballet Theatre in 1940 under the direction of Lucia Chase and Rich Pleasant.
..... Click the link for more information. , notably Fall River Legend (1948), and for films. Choreographing some 15 musicals and 21 ballets, she was a significant force in a new American realism that mingled ballet technique, vernacular movement, and modern psychology.

Although there was more sentimental pleasantness than true originality in de Mille's choreography, her works did much to popularize serious dance with the public. In addition, she was an important spokesperson for governmental and private support for the arts at congressional hearings and other public forums. In 1973 de Mille founded the Heritage Dance Theater, which was based at the North Carolina School of the Arts. A talented writer, de Mille was the author of 12 books including To a Young Dancer (1962), The Book of the Dance (1963), and Martha: The Life and Work of Martha Graham (1991).

Bibliography

See her autobiographies, Dance to the Piper (1952), And Promenade Home (1958), Speak to Me, Dance with Me (1973), and Where the Wings Grow (1978); No Intermissions: The Life of Agnes de Mille (1995) by C. Easton.

de Mille, Agnes (George)

(born Sept. 18, 1905, New York, N.Y., U.S.—died Oct. 7, 1993, New York City) U.S. dancer and choreographer. She graduated from UCLA, moved back to New York, and soon was touring the U.S. with her own mime-dance concerts (1929–40). In her choreographed works for Ballet Theatre (later American Ballet Theatre), she made innovative use of American themes, folk dances, and idioms; in Rodeo (1942) she used tap dance for the first time in a ballet. She choreographed many Broadway musicals, including Oklahoma! (1943), Carousel (1945), Brigadoon (1947), and Paint Your Wagon (1951), and she wrote several books on dance and an autobiography.

de Mille, Agnes (George) (1905–93) choreographer; born in New York City. The daughter of the playwright William C. de Mille and niece of movie producer Cecil B. De Mille, she made her dancing debut in 1928. During the 1930s she worked in America and Europe as a dancer and actress. In 1936 she had her first commission as a choreographer, creating the dance sequences for an English film version of Romeo and Juliet. This led to her joining the New York Ballet Theater, for which she choreographed Rodeo (1942). In the 1940s she choreographed a series of hits both on Broadway and in the subsequent films, including Oklahoma! (1943), Carousel (1945), Brigadoon (1947), and Gentlemen Prefer Blondes (1949). She founded her own ballet company, toured widely, and was regarded as one of the preeminent 20th-century American choreographers. Her books include Dance to the Piper (1952) and The Book of the Dance (1963).