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Dido
(redirected from didos)

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Dido (dī`dō), in Roman mythology, queen of Carthage, also called Elissa. She was the daughter of a king of Tyre. After her brother Pygmalion murdered her husband, she fled to Libya, where she founded and ruled Carthage. According to one legend, Dido threw herself on a burning pyre to escape marriage to the king of Libya. In the Aeneid, Vergil tells how she fell in love with Aeneas Aeneas , in Greek mythology, a Trojan, son of Anchises and Aphrodite. After the fall of Troy he escaped, bearing his aged father on his back. He stayed at Carthage with Queen Dido, then went to Italy, where his descendants founded Rome.
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, who had been shipwrecked at Carthage, and destroyed herself on the pyre when, at Jupiter's command, he left to continue his journey to Italy.

Dido

In Greek legend, the founder of Carthage. She fled to North Africa after the murder of her husband and bought land from a local chieftain, Iarbas. She killed herself rather than marry him. Virgil altered the story in his Aeneid, in which Dido welcomes Aeneas to Carthage during his travels, becomes his lover, and kills herself when he abandons her.


Dido
contracts for as much land as can be enclosed by an oxhide; by cutting it into a strip she obtains enough to found a city. [Rom. Legend: Collier’s VI, 259]
See : Cunning

Dido
kills herself when Aeneas abandons her. [Rom. Myth.: Avery, 392–393; Rom. Lit.: Aeneid]
See : Suicide

Dido 

(also Elissa), in ancient mythology the sister of the king of Tyre (in Phoenicia). Founder of Carthage.

According to the Roman version of the myth as treated in Book IV of Vergil’s Aeneid, Dido fell in love with Aeneas, who was cast upon the shores of Carthage by a storm. After his departure she committed suicide. The figure of the lovesick and abandoned Dido has enjoyed great popularity through the centuries in literature, opera (H. Purcell, J. Haydn, and others), and painting (A. Mantegna, P. Rubens, S. Bourdon, H. Fiiger, and others).



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Here we are treated to a reading that strives to uncover Virgil's importance for authors who read against the text of his work, as it has become fashionable to say, a Virgil that is no longer a servant to the project of Western geopolitical domination but rather an author who can be read as possessing a subtly camouflaged sympathy for the losers, the Turnuses and Didos of the world, beneath his overt triumphalism.
Can anyone remember a time when the musical landscape wasn't dominated by young women, an era that pre-dates the Lilys and Amys, the Corinnes and Josses, the Kates and the Katies, the KTs and the MIAs, the Duffys as well as the Didos all clamouring for our attention?
Dido might have been playing across town, but with female vocalists Sia Furler and Sophie Barker behind the mic, it was like getting two Didos for the price of one.
 
 
 
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