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genie |
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genie: see jinni jinni (jĭnē`), feminine jinniyah ..... Click the link for more information. . jinnior genie plural jinnIn Arabic mythology, any of the supernatural spirits less powerful than angels or devils. Evil spirits of air or fire, they could take animal or human form and could dwell in inanimate objects or under the earth. They had the bodily needs of human beings and could be killed but were otherwise free of physical restraints. Jinn delighted in punishing humans for any harm done to them, but people who knew the proper magical procedure could exploit them to their own advantage. The jinn were popular subjects for folklore, notably in the tale of Aladdin in The Thousand and One Nights. GenieAn online information and bulletin board service that closed its doors at the end of 1999, much to the dismay of its many users, some of whom were still chatting when the plug was pulled. Genie (General Electric Network for Information Exchange) was set up as a joint venture between GE and Ameritech in 1985, and in time was acquired by Yovelle Renaissance Corporation and then by IDT in the mid-1990s. Its roundtable discussions, chat lines, games and Internet access attracted a niche of science fiction aficionados as well as horror and fantasy writers. The growth of other online services affected Genie's traffic, which in those early days, peaked at some 400,000 users. See online service. See also Jini. genie 1. (in fairy tales and stories) a servant who appears by magic and fulfils a person's wishes 2. another word for jinni How to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit webmaster's page for free fun content. |
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This closing installment is the best yet, as the fates of the djinni Bartimaeus, the magician John Mandrake (true name: Nathaniel), and the commoner Kitty Jones grow ever more tightly entwined. Yet Nathaniel obsessively continues to send the djinni in search of those who plot rebellion against the British Empire. Carrot-headed creatures and cock-suckers; vaginal openings and malicious doings; empty rooms filled with sunlight, dancing djinni smoke, and tiny mythic beings on pedestals; men, women, bodies dreamt from realms where there is no use for gender: capturing both the surreality and irreality of life in timbres of sunrise and sunset, Clemente is in silent conversation with himself about what it means to give form in paint to the ferocity and tenderness of the imagination. |
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