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an approach to social analysis, especially associated with Erving GOFFMAN, in which the theatre is the basis of an analogy with everyday life. In this analogy, social action is viewed as a ‘performance’ in which actors both play parts and stage-manage their actions, seeking to control the impressions they convey to others (impression management). The aim of actors is to present themselves in a generally favourable light and in ways appropriate to particular roles and social ‘settings – the latter is Goffman's term for the physical trappings which signal particular roles or status. In a related way, SOCIAL ACTORS also cooperate as members of teams’, seeking to preserve a ‘front’ while hiding from view the ‘backstage’ of social relations. Since actors will play different roles in different situations, they also on occasion find it necessary to practise audience segregation, withholding in a current situation any sign of those other roles they play which, if visible, would threaten the impression being given at the moment (e.g. the problems that would arise for a homosexual judge from any disclosure of his homosexuality). The model of interaction involved in dramaturgy turns on the inevitability of acting partly on inference. For Goffman, the social order is a precarious accomplishment, always liable to be disrupted by embarrassment and breaches of front.



The dramatic works of a writer, people, or period.

(2) The plot and characters of a play or film. Literary drama, transformed in the modern theater into a director’s script, forms the basis of theatrical dramaturgy. In cinematography, dramaturgy takes the form of screen-plays.

References in periodicals archive ?
This dramaturgic tendency is followed through from its emergence in the play which opened the Abbey Theatre in 1904, On Baile's Strand, to his penultimate play Purgatory in 1938.
The play's dramaturgic advocacy of resistance to tyranny also keys into the then "mood of the moment," at a time when many African states were struggling with issues of independence from colonialism.
In the masks lies one of the dramaturgic elements of the plot and for the discourse on terrorism, they capture the uniqueness of the story.
The dramaturgic structure of the show is standard and the choreographic content is largely uninventive, but peppered with excellence and resonant theatricality.
To surprise gently such persons with the glory of shadows in God's world or the flaws in a respectable public character such as Othello is the offering a poet or dramaturgic artist presents, especially to the imaginatively handicapped.
For its new production of Il trovatore, a co-production with Lyric Opera of Chicago and San Francisco Opera, the Metropolitan Opera engaged the gifted Scottish director, David McVicar, although Verdi's dramaturgic little shop of horrors might seem an unlikely vehicle for his Met debut.
These, the extraordinarily interesting, neglected, and important historical coordinates within which Arnold examines Shakespeare's dramaturgic analysis of popular political representation, promise a pioneering study, perhaps of landmark magnitude.
The scene thus constitutes one of several instances where a non-Japanese speaking audience is bound to miss layers of dramaturgic, religious, and / or symbolic meaning.
According to Carlson, reiteration in theatre proceeds on at least four levels: spatial (theatre buildings), dramaturgic (plays), material (primarily actors) and the level of reception.
Noah was the best-known Jewish public figure in the antebellum United States, and both his journalistic and dramaturgic writings were widely cited as representations of Jewish opinion and tradition.
It was a big work to find a balance and the right kind of dramaturgic flow between these strong elements.
Tejumola Olaniyan, (10) borrowing from the theatrical grammar of Antonio Gramsci, explores the aesthetic provenance of Femi Osofisan's empowering theatrical forum, which is characterized by deft appropriation of indigenous performance forms, a fine-turned materialist revision of history and a consummate dramaturgic sophistication.