gloss

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gloss

[Gr.,=tongue], explanatory note on a word or words of a text, usually written between the lines or in a margin of a manuscript. In copying a manuscript, a copyist sometimes incorporated a gloss in the text, so that the copy departed from the original. The gloss may be in a language different from that of the text. Old glosses on the Bible have value as evidence of tradition, as have glosses in civil and canon law.

Gloss

A property of paint finish that determines its reflective quality; either shiny, semireflective, soft finish, or flat.

Gloss

 

(1) Translation or explanation of an incomprehensible word or expression, primarily in the works of ancient writers. Glosses were first used by the Greeks in the study of Homer’s poetry. The so-called Homeric glosses of the Alexandrian period (Zenodotus of Ephesus) enjoyed wide renown. Later, glosses were used mainly in the explication of individual biblical passages and of juridical texts. The so-called Malberg Gloss, which is composed of separate Frankish words and expressions joined to the Latin text of the Salic Law, is the most ancient monument of the German language, and the Reichenau Glosses, which were attached to the Latin Bible, are the first monument of the French language. Since the 17th century, glosses have been studied as valuable linguistic material.

(2) In Old Spanish poetry, a poem consisting of four stanzas (mainly the décima) and the four-line epigraph (called a motto) preceding them, each line of which completed the corresponding stanza. An example is the poem “On the Beauty Unhappy in Marriage” by C. de Castillejo.

gloss

[gläs]
(optics)
The ratio of the light specularly reflected from a surface to the total light reflected.

gloss

The degree of surface luster; ranges from a matte surface practically without sheen to an almost mirror-like glossy finish; intermediate conditions (in increasing order of glossiness) are: flat, eggshell, semigloss, and full gloss or high gloss.
References in periodicals archive ?
The fact that VOC had only a minor contribution to this property indicated that 50 VOC gloss paints may lose brushability on drying only slightly faster than 250 VOC gloss paints.
These HEUR-thickened gloss paints had good brushed flow out at slightly high film thicknesses.
4% PVC, 34% volume solids gloss paints formulated at 50 g/L.
For the gloss paints tested, no correlation with the brushed flow out during dry was found with Leneta flow since all paints tested were excellent for Leneta flow.
In the brushed flow out test, the experimental 50 VOC paint with the KU efficient, ICI building HEUR rheology modifier was better at 7 and 10 min than the commercial 150 and 200 VOC gloss paints and was equal to the commercial 250 VOC gloss paint (Figures 7 and 8).
From the open time and brushed flow out tests, it can be seen that VOC of gloss paints has little effect on brushed application properties and open time.