It is through the thematic and imagistic
register of swallowing and digestion we have begun to outline that the passage ensconcing the labyrinth inaugurates its momentous conversation with the Catullan intertext.
This suggests that the activation of the imagistic
representation of the referent, which manifests itself as an iconic gesture, is a precondition for the choice of a mimetic in speech production.
Indeed, the imagistic
tradition which enables Luther to resolve the conflict of the law and grace according to a metaphor of one's physical being on earth and spiritual being in heaven reflects the iconographic traditions apparent in Renaissance art.
Hence, while the style is sensuously imagistic
, Moore deftly assembles the images so that they gesture beyond their literal impressions.
I was also interested in the imagistic
echo of the two scientists listening to the cosmos through their horned antenna: the iconic logo of the RCA dog with its ear to the phonograph speaker, alluded to by the sculpture title's parenthetical.
The resulting mosaiclike collages call to mind the work of Martin Ramirez and Adolf Wolfli in their near-vibratory geometry and imagistic
Kinnell attempts (and succeeds in my opinion) to achieve a persuasive rendering of this world event by mixing journalistic particularity with imagistic
and metaphorical resonance.
But supremely, Sonia Kurisu is an artist who uses the unrelenting candor of language to piece together not only a riveting, often imagistic
narrative but to fashion as well forgiveness of sorts, atonement for a life she realizes has left her at the threshold of maturity more dead than alive.
By his appropriation of the imagistic
camera eye, he has managed to avoid the academic stuffiness that has plagued The Iliad in this century, and in that concession to contemporaneity he has found a freedom really to make the poem dance.
Though motion is virtually nonstop, almost no one modulates their dynamics into a progressive sequence that takes us on an imagistic
If tragedy is indeed the representation of an experience of chaos, its essence conflict and dialectic contrariety, then McAlindon's informing hypothesis about an essentially antithetical and contentious cosmos provides a capacious model, formal, philosophical and historical at once, of dualism and dynamism, embracing different levels of critical understanding, from the cosmological to the ethical (character and action), to the generic (tragedy is nothing if not conflict and contention), and down to the smallest linguistic/ imagistic
Turner's most brilliant chapter shows how the symmetry of our bodies provides imaginative structure that is the basis for metaphorical mappings onto all forms of abstract symmetry, including various types of imagistic
and conceptual symmetry in poetry and in argument structure.