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improvisation |
Also found in: Wikipedia | 0.01 sec. |
improvisationCreation of music in real time. Improvisation usually involves some preparation beforehand, particularly when there is more than one performer. Despite the central place of notated music in the Western tradition, improvisation has often played a role, from the earliest organum through the use of continuo (partially improvised accompaniment played on a bass line) in the 17th and 18th centuries. It has taken forms such as creation of a melody over a bass line for dancing, elaborate ornamentation added to a repeated section in an aria, keyboard variations on popular songs, concerto cadenzas, and free solo fantasias. Perhaps at its lowest ebb in the 19th century, improvisation returned to concert music in “experimental” compositions and in “authentic” performances of older music. Its most important contemporary Western form is jazz. It is also a defining feature of the raga. |
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| Guest and members of his regular crew of improvisors -- Catherine O'Hara, Harry Shearer, Eugene Levy (who co-wrote this story outline with Guest), Parker Posey, Fred Willard and more -- play talent-challenged people making or orbiting around a woebegone indie film. Trained in Italy, he began with law studies in Bologna and Padua but soon abandoned jurisprudence in favor of song, emulating the improvisors Serafino dall' Aquilano and Il Chariteo. Yokoshi, a riveting performer, peeks into the imperial courts of Asia, while Heggen, a master improvisor from Holland, gives us a glimpse into the royal courts of Europe. |
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