Intarsia

intarsia (ĭntär`sēə) or tarsia, properly a form of wood inlaying. The term is sometimes applied to inlays of other materials such as ivory and metal. It is differentiated from marquetry by the basic veneering process of the latter. The term intarsia is specifically applied to a type of inlaying probably developed in Siena, Italy, in the 13th cent. and derived from Middle Eastern inlays of ivory upon wood. This art was widely practiced in Italy from c.1400 to c.1600. The fashion for intarsia declined thereafter, although some works in this medium were still produced. Intarsia work was also practiced to a limited extent elsewhere in western Europe. Designs included pictorial scenes and conventionalized scrolls, arabesques, and geometric forms.

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intarsia

Form of wood inlay. Italian intarsia, or inlaid mosaic of wood, which probably derived from East Asian ivory and wood inlay, found its richest expression during the Renaissance in Italy (c. 1400–1600). It was often used in panels over the backs of choir stalls and in private studies and chapels of princes.

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intarsia [in′tär·sē·ə]

(graphic arts)

Decorative designs of inlaid wood in a background of wood; often used in furniture making. Also known as tarsia.

(textiles)

A pattern in several colors, usually geometrical, in a knitted fabric in which both sides of the fabric are alike.

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inlay, intarsia, marquetry

1. A shaped piece of one material embedded in another as part of a surface ornamentation.

2. Such ornamentation as a whole. Also see encaustic tile.

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intarsia

Mosaic inlay, especially a form of wood inlay.

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Intarsia 

a type of inlay in wooden objects (for example, in furniture). Ornamental pictures or designs of varying texture and color are made from wood that is fitted and glued into a wooden support. Intarsia flourished in Italy in the 15th century.

REFERENCE

Krauss, F. Intarsien, 3rd ed. Leipzig, 1958.