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Intermezzo
(redirected from intermezzi)

   Also found in: Dictionary/thesaurus, Wikipedia, Hutchinson 0.01 sec.
intermezzo (ĭntərmĕt`sō, –mĕd`zō).

1 Any theatrical entertainment of a light nature performed between the divisions of a longer, more serious work.

2 In the 17th and 18th cent., a short independent comic scene with everyday characters was interpolated between acts of serious operas. In the 18th cent. it developed into opera buffa (see opera opera, drama set to music. Characteristics


The libretto may be serious or comic, although neither form necessarily excludes elements of the other. Opera differs from operetta in its musical complexity and usually in its subject matter.
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); a famous example is Pergolesi Pergolesi, Giovanni Battista , 1710–36, Italian composer of the Neapolitan school. Although he died at the age of 26, he is credited with masterpieces in two fields of music: La serva padrona (The Maid as Mistress, c.
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's La serva padrona.

3 In the 19th cent., a short independent piece having the character of an interlude, or a movement of such character in a larger work such as a symphony or sonata. It was a favorite form of Schumann and Brahms.


intermezzo
1. a short piece of instrumental music composed for performance between the acts or scenes of an opera, drama, etc.
2. an instrumental piece either inserted between two longer movements in an extended composition or intended for independent performance
3. another name for interlude (sense 2)

Intermezzo 

(1) An instrumental piece performed between the two more important parts of a cyclic work (R. Schumann’s Piano Concerto) or between the basic sections of a one-part composition (similar to a trio; the scherzo from Schumann’s Piano Sonata Opus 11).

(2) An independent “characteristic” instrumental piece of free structure, for example, Schumann’s Intermezzo for Piano Opus 5 and pieces by J. Brahms and M. Reger.

(3) An intermedium.



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There's much to admire in Groh's playing of these four sets - rearranged on the disc so it begins with the three intermezzi of Op 117 and ends with the set of four pieces of Op 119 - especially the beautifully judged palette of keyboard colours with which he shades these exquisite pieces.
The earliest overtures and intermezzi contained on this album derive from 1960 and 1976, but most of it is from the early eighties.
There's much to admire in Groh's playing of these four sets - rearranged on the disc so it begins with the three intermezzi of Op 117 and ends with the set of four pieces of Op 119 - especially the beautifully judged palette of keyboard colours with which he shades these exquisite pieces.
 
 
 
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