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interval |
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interval, in music, the difference in pitch between two tones. Intervals may be measured acoustically in terms of their vibration numbers. They are more generally named according to the number of steps they contain in the diatonic scale of the piano; e.g., from C to D is a second, C and D being the first two notes of the scale of C. The fourth, fifth, and octave are termed perfect intervals as they have a characteristic sonority quite unlike any other interval. An interval between two natural notes, neither note being a sharp or a flat, is a major interval; if it is reduced by a semitone, it becomes minor. If a perfect or a minor interval is made half a step smaller it is called diminished, and when half a step larger, augmented. An interval may also be expressed by means of the ratio of the frequencies of its two tones. For example, the octave may be expressed by the ratio 2:1 because its upper tone has a frequency twice that of its lower tone. intervalIn music, the inclusive distance between one tone and another, whether sounded successively (melodic interval) or simultaneously (harmonic interval). In Western music, intervals are generally named according to the number of scale-steps within a given key that they embrace; thus, the ascent from C to G (C–D–E–F–G) is called a fifth because the interval embraces five scale degrees. There are four perfect intervals: prime, or unison; octave; fourth; and fifth. The other intervals (seconds, thirds, sixths, sevenths) have major and minor forms that differ in size by a half step (semitone). Both perfect and major intervals may be augmented, or enlarged by a half tone. Perfect and minor intervals may be diminished, or narrowed by a half tone. |
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| He chirruped, and then complacently continued: "My wives at this moment receiving the sound of one of my voices, closely followed by the other, and perceiving that the latter reaches them after an interval in which sound can traverse 6. The interval, with the exception of the last few months, has been chiefly spent by the author tossing about on the wide ocean. On looking towards her again, I perceived her face clouded with embarrassment, but she was still writing on most diligently; I paused a few seconds; she employed the interval in hurriedly re-perusing what she had written, and shame and discomfiture were apparent in her countenance; she evidently found she had made great nonsense of it. |
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