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Mackintosh, Charles Rennie |
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Mackintosh, Charles Rennie (măk`əntŏsh'), 1868–1928, Scottish architect, artist, and furniture designer. Probably the greatest architect and designer Scotland has produced, he attempted to create a native style for the modern era. His decorative and graphic works are some of the finest manifestations of art nouveau art nouveau (är' n ..... Click the link for more information. while also being beautiful examples of early modernism. His few buildings are notable for their absence of external decoration and their subtlety of proportion—both qualities partially derived from Scottish medieval precedent and from the Scottish Baronial style of the 16th and 17th cent. Among these buildings are the Glasgow School of Art (1899, additional wing 1909), widely considered his masterwork; Queen's Cross Church, Glasgow; and two country houses—"Windyhill," Kilmacolm, and "Hill House," Helensburgh—both built around the turn of the century. As a designer, Mackintosh was influenced in his early work by the English arts and crafts arts and crafts, term for that general field of applied design in which hand fabrication is dominant. The term was coined in England in the late 19th cent. as a label for the then-current movement directed toward the revivifying of the decorative arts. BibliographySee Charles Rennie Mackintosh: The Architectural Papers (1990), ed. by P. Robertson; studies by T. Howarth (1952) and A. Crawford (1995); E. Wilhide, The Mackintosh Style (1995). Mackintosh, Charles Rennie(born June 7, 1868, Glasgow, Scot.—died Dec. 10, 1928, London, Eng.) Scottish architect, furniture designer, and artist. A giant of the Arts and Crafts Movement, he is especially revered for his glass-and-stone studio building at the Glasgow School of Art (1896–1909), where he had attended classes. In the 1890s he achieved an international reputation creating unorthodox posters, craftwork, and furniture. Considered Britain's first designer of true Art Nouveau architecture, he produced work of an unrivaled lightness, elegance, and originality, as exemplified by four remarkable tearooms he designed in Glasgow (1896–1904). By 1914 he was dedicating all his energies to watercolour painting. The late 20th century saw a revival of interest in his work and the manufacture of reproductions of his chairs and settees, which were characterized by starkly simple geometric lines. |
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