It follows, therefore, that of the materials
which an author has to use in a romance, or fictitious composition, such as I have ventured to attempt, he will find that a great proportion, both of language and manners, is as proper to the present time as to those in which he has laid his time of action.
But let us pass from this part of predictions (concerning which, nevertheless, more light may be taken from that which followeth); and let us speak first, of the materials
of seditions; then of the motives of them; and thirdly of the remedies.
Their short and simple annals could be eked out by confidences which would not appreciably enrich the materials
of the literary history of their time, and it seems better to leave them to the imagination of such posterity as they may reach.
So, glad to be doing anything that might lead to the end of their captivity, the friends separated to wander over the palace in search of fitting material
to use in the construction of their aerial machine.
In addition, it is excellent as a material
, and I well remember that during the war, at the siege of Atlanta, some iron guns fired one thousand rounds at intervals of twenty minutes without injury.
Meanwhile the physicists, especially Einstein and other exponents of the theory of relativity, have been making "matter" less and less material
But you said yourself the people are at such a low stage of material
development: what help are schools for that?
For this reason the Iliad and the Odyssey each furnish the subject of one tragedy, or, at most, of two; while the Cypria supplies materials
for many, and the Little Iliad for eight--the Award of the Arms, the Philoctetes, the Neoptolemus, the Eurypylus, the Mendicant Odysseus, the Laconian Women, the Fall of Ilium, the Departure of the Fleet.
He came as a Baker: but owned, when too late-- And it drove the poor Bellman half-mad-- He could only bake Bridecake--for which, I may state, No materials
were to be had.
For instance, the building materials
used in various ages can afford their own lessons to understanding eyes.
When the artist has arranged his materials
with an eye to just proportion--the small and the large flakes in alternate rows, and separated by carefully- considered intervals--I know of nothing more cheerful to look upon than a spirited Syrian fresco.
But," cried the tailor, in triumph, "what you do not know, monseigneur – prince of the church though you are - what nobody will know - what only the king, Mademoiselle de la Valliere, and myself do know, is the color of the materials
and nature of the ornaments, and the cut, the