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metaphysical poets |
Also found in: Wikipedia, Hutchinson | 0.31 sec. |
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metaphysical poets, name given to a group of English lyric poets of the 17th cent. The term was first used by Samuel Johnson (1744). The hallmark of their poetry is the metaphysical conceit (a figure of speech that employs unusual and paradoxical images), a reliance on intellectual wit, learned imagery, and subtle argument. Although this method was by no means new, these men infused new life into English poetry by the freshness and originality of their approach. The most important metaphysical poets are John Donne, George Herbert, Henry Vaughan, Thomas Traherne, Abraham Cowley, Richard Crashaw, and Andrew Marvell. Their work has considerably influenced the poetry of the 20th cent.
BibliographySee studies by H. C. White (1936, repr. 1962), J. F. Bennett (3d ed. 1964), H. Gardner, ed. (1967), G. Williamson (1967), P. Beer (1972), P. Grant (1974), and M. DiCesare, ed. (1988). |
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? Mentioned in | ? References in periodicals archive | ||
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| Eliot wrote in his seminal essay "The Metaphysical Poets," in which he posited that metaphysical poets, like Donne, were among the last English writers able to "feel their thought as immediately as the odor of a rose. Ree Dragonette and Barbara Holland, who claimed to be metaphysical poets, sponsored a set at a bar on the West Side called rather ominously The Ninth Circle. |
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