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minimalism
(redirected from minimal art)

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minimalism, schools of contemporary art and music, with their origins in the 1960s, that have emphasized simplicity and objectivity.

Minimalism in the Visual Arts

Reacting against the formal excesses and raw emotionalism of abstract expressionism abstract expressionism, movement of abstract painting that emerged in New York City during the mid-1940s and attained singular prominence in American art in the following decade; also called action painting and the New York school.
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, the practitioners of minimal art (also sometimes called ABC art) strove to focus attention on the object as an object, reducing its historical and expressive content to the bare minimum. Many minimalist artists were sculptors concerned with reducing form to its utmost simplicity. They used flat surface colors, factory finishes, and industrial materials. The use of serial repetitions contributed to their goal. Artists such as Carl Andre Andre, Carl , 1935–, American sculptor, b. Quincy, Mass. A former student of Patrick Morgan and Frank Stella, Andre produces sculptures of elemental, classic form.
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, Sol LeWitt LeWitt, Sol , 1928–2007, American artist, b. Hartford, Conn. LeWitt, who came into prominence in the 1960s, termed his work conceptual art, emphasizing that the idea or concept that animates each work is its most important aspect.
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, Robert Morris Morris, Robert, 1931–, American artist, b. Kansas City, Mo. He settled in New York City in 1960 and was allied in his early work with the simple, impersonal forms of minimalism, e.g., an untitled 1965 work consisting of four blocks of gray fiberglass.
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, Richard Serra Serra, Richard, 1939–, American sculptor, b. San Francisco. He creates large-scale minimalist (see minimalism) works in metal, concrete, fiberglass, and other materials, usually intended for specific outdoor sites.
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, Donald Judd Judd, Donald Clarence, 1928–94, American artist, b. Excelsior Springs, Mo. His sculpture, allied with the minimalist school of the late 1960s (see minimalism; modern art), has the appearance of industrial fabrication.
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, and Dan Flavin Flavin, Dan , 1933–96, American sculptor, b. New York City. In the early 1960s, Flavin experimented with fluorescent lights, bending them into complex, angular shapes.
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 were associated with the movement. The exhibition "Primary Structures," held in New York in 1966, spotlighted works of this school. Minimalism gave rise to process art, land art land art or earthworks, art form developed in the late 1960s and early 70s by Robert Smithson, Robert Morris, Michael Heizer, and others, in which the artist employs the elements of nature in situ or rearranges the landscape with earthmoving
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, performance art performance art, multimedia art form originating in the 1970s in which performance is the dominant mode of expression. Perfomance art may incorporate such elements as instrumental or electronic music, song, dance, television, film, sculpture, spoken dialogue, and
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, conceptual art, and installation art.

Minimalism in Music

In music, the minimalist movement was, like minimal art, a reaction against a then-current form, with composers rejecting many of the dry intellectual complexities and the emotional sterility of serial music serial music, the body of compositions whose fundamental syntactical reference is a particular ordering (called series or row) of the twelve pitch classes—C, C#, D, D#, E, F, F#, G, G#, A, A#, B—that constitute the equal-tempered scale.
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 and other modern forms. Generally, minimalist compositions tend to emphasize simplicity in melodic line and harmonic progression, to stress repetition and rhythmic patterns, and to reduce historical or expressive reference. The use of electronic instruments is common in minimalist music, as are influences from Asia and Africa. Among prominent minimalist composers are Philip Glass Glass, Philip, 1937–, American composer, b. Baltimore. Considered one of the most innovative of contemporary composers, he was a significant figure in the development of minimalism in music. Glass attended the Juilliard School of Music (M.A.
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, Steve Reich Reich, Steve (Stephen Michael Reich), 1936–, American composer, b. New York City. A well-known exponent of minimalism, he attended Cornell (B.A., 1957), the Julliard School of Music (1958–61), and Mills College (M.A.
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, Terry Riley, La Monte Young, and John Adams Adams, John (John Coolidge Adams), 1947–, American composer, b. Worcester, Mass. A clarinetist, he studied composition at Harvard (B.A. 1969, M.A. 1971).
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Minimalism

Twentieth-century movements in art and music characterized by extreme simplicity of form and rejection of emotional content. In the visual arts, Minimalism originated in New York City in the 1950s as a form of abstract art and became a major trend in the 1960s and '70s. The Minimalists believed that a work of art should be entirely self-referential; personal elements were stripped away to reveal the objective, purely visual elements. Leading Minimalist sculptors include Carl Andre and Donald Judd; Minimalist painters include Ellsworth Kelly and Agnes Martin. In music, Minimalism arose in the 1960s. It employs a steady pulsing beat, incessant repetition of tones and chords with only gradual changes in their components, a slow rate of harmonic change, and little or no counterpoint. Its principal antecedents are the musics of India and Southeast Asia. Its most important early practitioners include La Monte Young (b. 1935), Terry Riley (b. 1935), whose In C (1964) is perhaps its most seminal work, Steve Reich, Philip Glass, and John Adams.


minimalism
a type of music based on simple elements and avoiding elaboration or embellishment
www.nortexinfo.net/McDaniel/minimalist_music.htm
www.sbgmusic.com/html/teacher/reference/styles/minimal.html


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Rothenberg came out of Minimal art into figuration in the mid-'70s with, of all things, pictures of horses: equine silhouettes, emblematic not descriptive, embedded in flat space.
With an amalgam of the abstract, the minimal art of his own, and with rich and flat areas of yellow and green he create dreamy landscapes, well grounded in the reality of agriculture.
This "it" was the abject body, as the art historian Michael Fried made explicit a decade ago when rereading his own previous take on Minimal art (or "literalism," as he termed it): [L]iteralism theatricalized the body, put it endlessly on stage, made it uncanny or opaque to itself, hollowed it out, deadened its expressiveness, denied its finitude and in a sense its humanness.
 
 
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