mock-heroic


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mock-heroic

1. (of a literary work, esp a poem) imitating the style of heroic poetry in order to satirize an unheroic subject, as in Pope's The Rape of the Lock
2. burlesque imitation of the heroic style or of a single work in this style
References in periodicals archive ?
Coffee's identity as a noxious stimulant here complements other early eighteenth-century mock-heroic poems whose substance-abuse parallels the focus on wine found in The Rape of the Whisker and Fuzwhiskiana.
He suggests that Mandevillian economics and a mock-heroic attitude surface in poems on luxury such as James Arbuckle's 'Snuff' and Cowper's The Task (the concurrent treatment of canonical and non-canonical texts is another strength of his study).
Yet Pope's vision magnifies as well as diminishes his mock-heroic subject.
15 In which author's mock-heroic poem does the Snark turn out to be a Boojum?
A few phrases later, however, she addresses her readers with a clever, mock-heroic salutation: "Come all ye Visigoths of Alaric / Huns of Attila, of the / Ostrogoths & Lombards, of hummingbird / & tigrillo.
From the brightly colored title cards and the quirky music to the picaresque flow of its narrative, Idaho is a delightful and funny film, and Van Sant's appropriation of Shakespeare's The Tragedy of Henry the IV adds a an almost mock-heroic sensibility to the enterprise.
Born in New Jersey, Smithson made a name for himself in New York circles while still in his 20s, with art that was at once scientific, deadpan, and bleak, such as his mock-heroic photo series, "The Monuments of Passaic.
The process is sustained only because everyone can rely on the journalists' mock-heroic code of omerta: Never reveal the names of your secret sources--never--even if the revealed "information" turns out to be spurious.
Ulrich von Hutten, "one of the most satirical members of one of Germany's most satirical generations," [127] is indebted to Lucian's Charon in his satire Phalarismus and his Marcus heroicum is a mock-heroic satire with Venice personified as a megalomaniacal toad, an image he repeats in his satirical epigrams that include France portrayed as a cock (gallus).
But this is not innate to the subject itself; rather, his high-flown, mock-heroic treatment of the subject relegates it to this status.
Snodgrass seems to believe Dryden's mock-heroic attack on Shadwell was politically motivated and came after the Exclusion Crisis.