mode (redirected from modal value)

mode, in music

mode, in music.

1 A grouping or arrangement of notes in a scale with respect to a most important note (in the pretonal modes of Western music, this note is called the final or finalis), and the patterns of larger and smaller steps (in Western music, whole and half steps) which these notes form. In the Middle Ages eight modes were developed as a theoretical foundation for plainsong performance, notation, and composition. These modes, derived from church practice, and explained either in their own terms, or using terms drawn from ancient Greek music theory, were grouped in pairs, each pair containing an authentic mode and a plagal mode, which are distinguished by the difference in the position of their ranges with respect to the final. The range of each mode was an octave. The "authentic" mode has its final at the bottom (and top) of its octave, the "plagal" mode ranges from the fourth below the final to the fifth above it. Although Greek names came to be used for these modes—Dorian, Phrygian, Lydian, mixolydian, hypophrygian, etc.—there is no proof of direct relation to Greek theory. These eight modes were the basis for 11 centuries of musical composition. Freely treated, they have reappeared in the works of some 20th-century composers such as Vaughan Williams. In the late Middle Ages and during the Renaissance certain other modes were adopted, and in 1547 the Swiss theorist Glareanus described 12 as useful for composition. In the late 16th cent. and early 17th cent. the series was condensed in the major and minor modes in use today. The use of medieval modes by later composers is called modality in contrast to tonality. An extension of the term mode allows its application to the tonal systems of Hindu music, Arabian music

Characteristics, Forms, and Instruments

..... , and Byzantine music.

Bibliography

See G. Reese, Music in the Middle Ages (1940); E. A. Wienandt, Choral Music of the Church (1965).

2 In the 13th cent., six characteristic rhythmical patterns of long and short notes in ternary meter. Greek names—e.g., trochaic and iambic—were applied to these rhythmic patterns at a fairly late date, but there is no evidence of derivation from the meters of Greek poetry. These rhythmic modes governed composition until they were finally dissolved in the 14th cent. by Philippe de Vitry in his treatise Ars nova (see musical notation).

3 In 20th-century music, the various forms of the tone row in twelve-tone composition (see serial music). The row, an arbitrary arrangement of the 12 chromatic tones of Western music, can be used in four different forms: the original row, the original row reversed (from the last note back to the first note), the original row inverted (upside down), and the inversion reversed. Each of these is a mode.

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mode, in statistics

mode, in statistics, an infrequently used type of average. In a group of numbers the mode is the number occurring most frequently. In the group 1, 4, 5, 5, 6, 6, 6, 6, 9, 9, the mode is 6 because it occurs four times and the others only once or twice.

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mode, in grammar

mode, in grammar: see mood.

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mode

In music, any of a variety of concepts used to classify scales and melodies. In Western music, the term is particularly used for the medieval church modes. Keys in tonal music are normally said to be in either major or minor mode, depending particularly on the third degree of the scale. The concept of mode may involve much more than simply a classification of scales, extending to embrace an entire vocabulary of melodic formulas and perhaps other aspects of music that traditionally occur in tandem with a given set of formulas. The term mode has also been used for purely rhythmic patterns such as those of the Ars Antiqua, which were based on ancient Greek poetic metres.

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mode

(1) An operational state that a system has been switched to. It implies at least two possible conditions. There are countless modes for hardware and software. With regard to modes on a hard drive (Mode 2, Mode 3, etc.), see IDE. See Real Mode, Protected Mode, burst mode, insert mode, supervisor state and program state.

(2) In fiber optics, the reflective path taken by light in a fiber. Each mode has its own pattern of electromagnetic fields as it propagates through the fiber. From a cross section of the fiber, these modes can be viewed as multiple headlights beaming at you. In multimode fiber, multiple modes are generated, causing pulse dispersion at the receiving end. See multimode fiber, dispersion and fiber optics glossary.

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mode

1. Music

a. any of the various scales of notes within one octave, esp any of the twelve natural diatonic scales taken in ascending order used in plainsong, folk song, and art music until 1600

b. (in the music of classical Greece) any of the descending diatonic scales from which the liturgical modes evolved

c. either of the two main scale systems in music since 1600

2. Philosophy a complex combination of ideas the realization of which is not determined by the component ideas

3. the quantitative mineral composition of an igneous rock

4. Physics one of the possible configurations of a travelling or stationary wave

5. Physics one of the fundamental vibrations

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1.		Mode - An object-oriented language. ["The Programming Language Mode: Language Definition and User Guide", J. Vihavainen, C-1987-50, U Helsinki, 1987].
2.		mode - A general state, usually used with an adjective describing the state. Use of the word "mode" rather than "state" implies that the state is extended over time, and probably also that some activity characteristic of that state is being carried out. "No time to hack; I'm in thesis mode." In its jargon sense, "mode" is most often attributed to people, though it is sometimes applied to programs and inanimate objects. In particular, see hack mode, day mode, night mode, demo mode, fireworks mode, and yoyo mode; also chat.
3.		mode - More technically, a mode is a special state that certain user interfaces must pass into in order to perform certain functions. For example, in order to insert characters into a document in the Unix editor "vi", one must type the "i" key, which invokes the "Insert" command. The effect of this command is to put vi into "insert mode", in which typing the "i" key has a quite different effect (to wit, it inserts an "i" into the document). One must then hit another special key, "ESC", in order to leave "insert mode". Nowadays, modeful interfaces are generally considered losing but survive in quite a few widely used tools built in less enlightened times.