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Morris dance |
Also found in: Dictionary/thesaurus, Wikipedia, Hutchinson | 0.09 sec. |
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morris dance or morrice dance, rustic dance of the north of England that had its origin in country festivals, such as those of May Day and Whitsunday. Reference to it in English literature is made as early as the 15th cent. The main dancers were called Robin Hood, Maid Marian, the hobbyhorse, and the bavian, or fool. They were accompanied by a piper or taborer. An ambulatory dance, it was often performed from one village to another by the main dancers and six other dancers, three in a row. The morris dance was a sword dance in many vicinities.
BibliographySee J. Forrest, The History of Morris Dancing, 1458–1750 (1999). Morris danceRitual folk dance mainly danced in rural England from about the 15th century. The name, a variant of “Moorish,” possibly arose in reference to the dancers' blacking their faces as part of the ritual disguise. It is principally a fertility dance, performed especially in the spring. Danced by groups of men often dressed in white and wearing bells on their legs, the steps are varied and intricate and are maintained in a jog-trot while handkerchiefs are waved in both hands. It calls for individual characters such as a hobbyhorse and a fool. How to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit webmaster's page for free fun content. |
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In his first chapter, "Theories of Origins," he convincingly challenges the usual theories that scholars and students have accepted, mostly without questioning: that morris had pagan origins (a theory derived from the attacks on morris dancing by Elizabethan Puritans); that morris had classical origins and was a later form of the Pyrrhic war dance (a seventeenth-century theory); that it was a moorish dance that came to England via Spain (a mid-seventeenth-centu ry theory). Dance Perspectives Foundation's twenty-seventh Annual de La Torre Bueno Prize for "the most distinguished original book of dance scholarship published in 1999" was awarded at an October 2000 ceremony to Suki Schorer for Suki Schorer on Balanchine Technique, with a special citation to John Forrest for The History of Morris Dancing 1458-1750 . |
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