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Neorealism |
Also found in: Wikipedia, Hutchinson | 0.05 sec. |
Neorealismor neorealismoItalian aesthetic movement that flourished especially after World War II. It sought to deal realistically with the events leading up to the war and with their resulting social problems. Rooted in the 1920s, it was similar to the verismo (“realism”) movement, from which it originated, but differed in that its upsurge resulted from the intense feelings inspired by fascist repression, the Resistance, and the war. Neorealist writers include Italo Calvino, Alberto Moravia, and Cesare Pavese. During the fascist years many Neorealist writers went into hiding, were imprisoned or exiled, or joined the Resistance. The movement reemerged in full strength after the war. Neorealism in film embraced a documentary-like objectivity; actors were often amatuers, and the action centred on commonplace situations. Often crudely and hastily made, Neorealist productions stood in stark contrast to traditional escapist feature films. Two notable examples of Neorealist films are Roberto Rossellini's Open City (1945) and Vittorio De Sica's The Bicycle Thief (1948). How to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit webmaster's page for free fun content. |
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| And I even admire your attempt to make neo-realism more palatable to Americans by giving it an ethical dimension--though in the end I'm not convinced. In Office (NYC), 2004, a model posing as an office worker seemingly caught unaware as she squats to retrieve a document conspires with Kern to reappropriate the pornographic situation, coolly reproducing it in an image that is closer to the sensibility of Pierre Klossowski than the snapshot neo-realism of wild-boy lifestyle photography. He argues that mercantile realism does not privilege military security at the expense of economic capacity in the manner of neo-realism. |
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