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new objectivity

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new objectivity (Ger. Neue Sachlichkeit), German art movement of the 1920s. The chief painters of the movement were George Grosz and Otto Dix, who were sometimes called verists. They created styles of bitter realism and protest that mirrored the disillusionment following World War I. New objectivity retained the intense emotionality of earlier movements in German art (see Brücke Brücke, Die [Ger.,=the bridge], German expressionist art movement, lasting from 1905 to 1913. Influenced by the art of Jugendstil (the German equivalent of art nouveau), Van Gogh, and the primitive sculpture of Africa and the South Seas, the
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 and Blaue Reiter Blaue Reiter, der [Ger.,=the blue rider], German expressionist art movement, lasting from 1911 to 1914. It took its name from a painting by Kandinsky, Le cavalier bleu.
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), but it abandoned the symbolism of expressionism expressionism, term used to describe works of art and literature in which the representation of reality is distorted to communicate an inner vision. The expressionist transforms nature rather than imitates it.
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 for direct social commentary. Max Beckmann produced works in a related, though more philosophical, vein.


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It is worth remembering the historical context in which they were composed, and so to notice the fading influences of Impressionism and the new objectivity, Nee-classicism and Nee-Baroque and the recasting of these trends in the works of two contemporaries (there was only one year's difference in age between Malipiero and Casella), and to see how they fit in beside Stravinsky, Hindemith, Martinu and others.
But Marr the historian seems to have acquired a new objectivity, and the last two programmes in particular would not necessarily have made comfortable viewing for Mr Blair.
He also considers the rise of a new culture, that of nazism, and how it rather quickly and completely destroyed the new objectivity.
 
 
 
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