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Onomatopoeia |
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onomatopoeia (ŏn'əmăt'əpē`ə) [Gr.,=word-making], in language, the representation of a sound by an imitation thereof; e.g., the cat mews. Poets often convey the meaning of a verse through its very sound. For example, in "Song of the Lotus-Eaters" Tennyson indicates the slow, sensuous, and langorous life of the Lotus-Eaters by the sound of the words he uses to describe the land in which they live:
Onomatopoeia can also represent harsh and unpleasant sounds, as in Browning's "Meeting at Night":
onomatopoeia 1. the formation of words whose sound is imitative of the sound of the noise or action designated, such as hiss, buzz, and bang 2. the use of such words for poetic or rhetorical effect Onomatopoeia in linguistics, sound-imitative words that develop out of a phonetic similarity to combinations of nonverbal sounds—for example, Russian miaukat’, “to meow” (from miau, “meow”). The term “onomatopoeia” also refers to the method by which sound-imitative words are formed, as well as to a particular type of onomatopoeic, or reduplicative, word. Often, “onomatopoeia” designates the conventional verbal imitation of the sound associated with a living or nonliving thing (ku-ku, “cuckoo”; bum-bum, “boom-boom”; a devitsa—khi-khi-khi! da kha-kha-kha! “And the girl goes ‘Hee, hee, hee!’ and ‘Ha, ha, ha!’ “). Onomatopoeia is used in poetry to create an image based on sound: Budu akat’, budu okat’, Want to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit the webmaster's page for free fun content. |
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No references found | The contraction, especially, with its double loading of gutturally expressible "a" and "g" sounds, communicates revulsion almost onomatopoeically, carrying for an SAE-speaker an instantly recognisable sound and feeling. Parks's neologism-"fuzzicate"--is onomatopoeically and ontologically on target; it is a word visualizing and eschewing fuzzy linear residue while typifying the obfuscating noncompliance on the part of Luki's smear-prone mate. The activity of the Spirit, described as a storm within and rendered onomatopoeically via the accumulation of s-, sh-, voiced th- and voiceless th-sounds, is conveyed through a series of nature images centered around "the viewless wind", the Christian emblem of the Holy Ghost, which causes turmoil in the heretofore stagnant mind: "storm", "waves", "shore", "sea", "rocks", "thunders". |
onomatopoeically |
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