performance art, multimedia art form originating in the 1970s in which performance is the dominant mode of expression. Perfomance art may incorporate such elements as instrumental or electronic music, song, dance, television, film, sculpture, spoken dialogue, and storytelling. The roots of this art lie in early 20th-century modernist experiments with mixed media, particularly in Dada Dada (dä`dä) or Dadaism
..... Click the link for more information. performances. The direct antecedent of performance art, however, can be found in the happenings happening, an artistic event of a theatrical nature, but usually improvised spontaneously without the framework of a plot. The term originated with the creation and performance in 1959 of Allan Kaprow's "18 Happenings in 6 Parts.
..... Click the link for more information. of the late 1950s and the 1960s. Among the most obvious differences between the two is that the later movement tends to be much less spontaneous in nature than the earlier and that happenings were almost always created by visual artists, whereas performance artists generally have more varied backgrounds, many in theater, writing, or dance.

Primarily an avant-garde form, performance art is often emotional and topical, frequently dealing with political and personal matters and with issues such as race, class, and feminism. Probably the best-known contemporary American performance artist is Laurie Anderson Anderson, Laurie, 1947–, American performance artist, b. Chicago. Originally a sculptor, she was influenced by Philip Glass and other avant-garde composers in the early 1970s and soon turned to the creation of multimedia performance art .
..... Click the link for more information. ; others include Nam June Paik (earlier also involved with happenings), Michael Smith, Vito Acconci, Carolee Schneeman, and Martha Wilson. Often classified as performance artists are such monologist-writers Eric Bogosian, Spalding Gray, Karen Finley, Anna Deavere Smith, and John Leguizamo.

Bibliography

See G. Battcock and R. Nickas ed., The Art of Performance (1983); M. Roth ed., The Amazing Decade: Women and Performance Art in America, 1970–1980 (1983); R. Goldberg, Performance Art: From Futurism to the Present (1988); H. M. Sayre, The Object of Performance (1989); C. Carr, On Edge: Performance at the End of the Twentieth Century (1993); P. Phelan, Unmarked: The Politics of Performance (1993); and E. Diamond, ed., Performance and Cultural Politics (1996).

performance art

Art form that arose in Europe and the U.S. in the 1960s. The term describes an art that is live but operates outside the traditional conventions of theatre or music. Early examples represented a challenge to orthodox art forms and cultural norms by creating an ephemeral art experience that could not be captured or purchased. By the 1970s performance art was used as a general term to describe a multitude of activities, including happenings, body art, actions, events, and non-matrix theatre. Prominent performance artists have included Joseph Beuys, John Cage, Dennis Oppenheim, Yoko Ono, Nam June Paik, Meredith Monk, and Laurie Anderson.