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Photo-Realism |
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Photo-RealismLate 20th-century painting style based on photography, in which realistic scenes are rendered in meticulous detail. An offshoot of Pop art, it became a trend in U.S. painting in the 1970s among artists fascinated by camera images. Though photographs had been used by 19th-century painters such as Eugène Delacroix as substitutes for reality, the Photo-Realists relied on the photograph itself, replicating it in large-scale detail as the reality on which to base an acrylic painting. Its subjects often included reflecting surfaces (chrome-plated diners, motorcycles, glass-fronted buildings, etc.). Its awesome technical precision, brilliant colour schemes, and visual complexity earned the style wide popularity. Its most notable practitioners were Chuck Close, Don Eddy, Richard Estes, and Audrey Flack. |
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The paintings that made Lisa Milroy's reputation in the late '80s were concatenations of reiterated, similar-but-different images: tires in one painting, folded shirts in another, even Greek vases or (significantly enough, as will be seen) Japanese prints, and so on, all rendered in a restrained, earnest way that was surprisingly painterly, given that they ended up evoking a nearly photo-realist objectivity subsumed to the tabular space of the grid. Deke McClelland, author/consultant, and Bert Monroy, Digital Photo-Realist Artist. Randy Moss" is the latest watercolor work by photo-realist Daniel M. |
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