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Chivalry |
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chivalry (shĭv`əlrē), system of ethical ideals that arose from feudalism feudalism (fy ..... Click the link for more information. and had its highest development in the 12th and 13th cent. Chivalric ethics originated chiefly in France and Spain and spread rapidly to the rest of the Continent and to England. They represented a fusion of Christian and military concepts of morality and still form the basis of gentlemanly conduct. Noble youths became pages in the castles of other nobles at the age of 7; at 14 they trained as squires in the service of knights, learning horsemanship and military techniques, and were themselves knighted, usually at 21. The chief chivalric virtues were piety, honor, valor, courtesy, chastity, and loyalty. The knight's loyalty was due to the spiritual master, God; to the temporal master, the suzerain; and to the mistress of the heart, his sworn love. Love, in the chivalrous sense, was largely platonic; as a rule, only a virgin or another man's wife could be the chosen object of chivalrous love. With the cult of the Virgin Mary, the relegation of noblewomen to a pedestal reached its highest expression. The ideal of militant knighthood was greatly enhanced by the Crusades Crusades (kr In practice, chivalric conduct was never free from corruption, increasingly evident in the later Middle Ages. Courtly love often deteriorated into promiscuity and adultery and pious militance into barbarous warfare. Moreover, the chivalric duties were not owed to those outside the bounds of feudal obligation. The outward trappings of chivalry and knighthood declined in the 15th cent., by which time wars were fought for victory and individual valor was irrelevant. Artificial orders of chivalry, such as the Order of the Golden Fleece (1423), were created by rulers to promote loyalty; tournaments became ritualized, costly, and comparatively bloodless; the traditions of knighthood became obsolete. Medieval secular literature was primarily concerned with knighthood and chivalry. Two masterpieces of this literature are the Chanson de Roland (c.1098; see Roland Roland (rō`lənd), the great French hero of the medieval Charlemagne cycle of chansons de geste, immortalized in the For the lyric poetry of the age of chivalry, see troubadours troubadours (tr BibliographySee B. E. Broughton, Dictionary of Medieval Knighthood and Chivalry (1986); M. Keen, Chivalry (1984); H. Chickering and T. H. Seiler, ed., The Study of Chivalry (1988). chivalryKnightly class of feudal Europe, and especially the gallantry and honor expected of medieval knights. The ideal of courteous knightly conduct developed in the 12th–13th century. It arose out of feudal obligation (see feudalism) and stressed loyalty and obeisance by a knight to his God, his lord, and his lady, thus melding Christian and military virtues. Chivalry was greatly strengthened by the Crusades, a military endeavor on behalf of Christianity, which led to the founding of the earliest orders of chivalry, the Knights of Malta and the Templars. In addition to loyalty and honor, the chivalric virtues included valor, piety, courtesy, and chastity. Questions of love and honor were combined in the ethos of courtly love. The knight's lady was meant to be unobtainable, ensuring chastity; the feminine ideal thus became melded with the Virgin Mary. In the 14th–15th century, chivalry came to be associated increasingly with aristocratic display and public ceremony, particularly in jousting tournaments, rather than with service in the field. Chivalry Amadis of Gaul personification of chivalric ideals: valor, purity, fidelity. [Span. Lit.: Benét, 27] king of England; head of the Round Table. [Br. Lit.: Le Morte d’Arthur] chivalrous medieval knight, righting wrongs in Europe. [Br. Lit.: Bevis of Hampton] Castiglione’s discussion of the manners of the perfect courtier (1528). [Ital. Lit.: EB, II: 622] personification of courtesy and chivalrous actions. [Br. Lit.: Faerie Queene] capital of King Arthur’s realm, evokes the romance of knightly activity. [Br. Legend: Collier’s IV, 224] Spanish military leader who becomes a national hero through chivalrous exploits. [Span. Lit.: Song of the Cid] dashing and chivalrous Irishman. [Br. Lit.: King Noanett, Walsh Modern, 108] ideal, early 18th-century squire. [Br. Lit.: “Spectator” in Wheeler, 85] Dumas’s ever-popular chivalrous character. [Fr. Lit.: The Three Musketeers] chivalrous adventurer. [Fr. Lit.: Count of Monte-Cristo] when a countess dropped her garter, he put it on to reproach the sniggering courtiers, and instituted the Order of the Garter. [Br. Legend: Benét, 383] “a knight well-spoken, neat, and fine.” [Br. Lit.: Two Gentlemen of Verona] gallant, chivalrous knight of the Round Table. [Br. Lit.: Le Morte d’Arthur] knight who, though Lynette scorns him as only a kitchen hand, successfully accomplishes rescuing her sister. [Br. Poetry: Tennyson Idylls of the King] Arthur’s nephew; model of knightly perfection and chivalry. [Br. Lit.: Sir Gawain and the Green Knight] the epitome of chivalric novels. [Br. Lit.: Ivanhoe] protected pilgrims to the Holy Land and fought the Saracens. [Medieval Hist.: NCE, 1490] chivalrous knights in King Arthur’s reign. [Br. Lit.: Le Morte d’Arthur] knight in King Arthur’s realm; model of chivalry. [Br. Lit.: Le Morte d’Arthur]
monumental work of chivalric romance. [Br. Lit.: Le Morte d’Arthur] gallant and steadfast hero of medieval romance. [Ital. Lit.: Orlando Furioso; Orlando Inammorato; Morgante Maggiore] knight-errant ready to rescue distressed damsels. [Span. Lit.: Don Quixote] drops his cloak over a puddle to save Queen Elizabeth from wetting her feet. [Br. Lit.: Scott Kenilworth in Magill I, 469] (1159–1199) king known for his gallantry and prowess. [Br. Hist.: EB, 15: 827] paragon of chivalry; unyielding warrior in Charlemagne legends. [Fr. Lit.: Song of Roland] symbolizes chivalry. [Flower Symbolism: Flora Symbolica, 181] comic strip character epitomizes chivalry. [Comics: Horn, 565] |
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His pupils host suspicious galaxies; That's why he keens, I lie with politesse. Each time I called, the automated politesse of tech support replied: "You are caller number three . 187-234; Robert Muchembled, La societe policee: politique et politesse en France du XVIe au XVIIIe siecle (Paris, 1998); Alfred Soman, "Anatomy of an Infanticide Trial: The Case of Marie-Jeanne Bartonnet (1742)," in Michael Wolfe ed, Changing Identities in Early Modern France (Durham, 1997), pp. |
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