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Propylaeum
(redirected from propylaea)

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propylaeum (prŏpĭlē`əm), in Greek architecture, a monumental entrance to a sacred enclosure, group of buildings, or citadel. A roofed passage terminated by a row of columns at each end formed the usual type. Known examples include those at Athens, Olympia, Eleusis, and Priene. The most splendid example are the

Propylaea at Athens upon the west end of the Acropolis; their restored remains still stand. Of Pentelic marble, they were built (437–432 B.C.) at the command of Pericles by the architect Mnesicles Mnesicles , Greek architect, 5th cent. B.C. He designed the propylaea, and the Erechtheum is also sometimes ascribed to him. Both are on the acropolis at Athens.
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propylaeum

In ancient Greek architecture, a structure forming an entrance or gateway to a sacred enclosure, usually consisting, at the least, of a porch supported by columns both outside and within the actual gate. The term is often used in the plural (propylaea). The most famous example is the great Propylaea designed by Mnesicles for the Athenian Acropolis. The name propylaea was also applied to various 18th–19th-century Neoclassical and Romantic monumental gateways.


propylaeum
propylaea, 2
1. The monumental gateway to a sacred enclosure.
2.(pl., cap. Propylaea) Particularly, the elaborate gateway to the Acropolis in Athens.

Propylaeum 

a formal passageway formed by porticoes and colonnades located symmetrically to the axis of movement. Propylaea are characteristic of the architecture of ancient Greece, where they were built as early as the Aegean culture. The structures were built at the main entrance to the acropolis or sacred grounds (temenos). An outstanding landmark in ancient Greek architecture is the Propylaea of the Athenian Acropolis, which was built between 437 and 432 B.C. by the architect Mnesicles. In later Greek architecture propylaea were scarcely used.

In the 19th century, neoclassical architects revived the use of propylaea (for example, the propylaea in Munich, 1846–60, architect L. von Klenze). In the late 19th century and in the 20th century, propylaea have been used as elements of especially important and imposing architectural complexes (for example, the propylaea at the entrance to the Smol’nyi building in Leningrad, 1923–25, architects V. A. Shchuko and V. G. Gel’freikh). They have also been used in commemorative structures (for example, the propylaea of Piskarev Cemetery in Leningrad, 1960, architects A. V. Vasil’ev, E. A. Levinson, and others).



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The Caryatids, columns sculpted as females holding up the roof of a porch on the southern side of the Erectheum temple, dominate the top of a glass ramp leading up the second floor, on which sculptures from the Temple of Athena and the Propylaea entrance to the Acropolis will be displayed.
The historical attractions are too numerous to mention, as they say, but some of the most popular and enduring include the arresting Parthenon temple, built on the 'sacred rock' Acropolis, The Theatre of Dionysos, The Propylaea (entrance to The Acropolis), Temple of the Athena Nike and the Agora areawhere theAncients gathered for a host of reasons.
None of the participants in the great annual Panathenaic procession, who followed the way up the Acropolis through the Propylaea, past the temple of Nike Apteros to wind their way round the Parthenon, had much notion of the differences we now see between art and science, sacred and profane, political and poetic.
 
 
 
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