realism (redirected from realistic)

realism, in art

realism, in art, the movement of the mid-19th cent. formed in reaction against the severely academic production of the French school. Realist painters sought to portray what they saw without idealizing it, choosing their subjects from the commonplaces of everyday life. Major realists included Gustave Courbet, J. F. Millet, and Honoré Daumier. In a broader sense the term is applied to an unembellished rendering of natural forms. In recent years realism has come to mean the presentation of forms and materials that are simply themselves, not primarily representations of things that already exist.

---

realism, in literature

realism, in literature, an approach that attempts to describe life without idealization or romantic subjectivity. Although realism is not limited to any one century or group of writers, it is most often associated with the literary movement in 19th-century France, specifically with the French novelists Flaubert and Balzac. George Eliot introduced realism into England, and William Dean Howells introduced it into the United States. Realism has been chiefly concerned with the commonplaces of everyday life among the middle and lower classes, where character is a product of social factors and environment is the integral element in the dramatic complications (see naturalism). In the drama, realism is most closely associated with Ibsen's social plays. Later writers felt that realism laid too much emphasis on external reality. Many, notably Henry James, turned to a psychological realism that closely examined the complex workings of the mind (see stream of consciousness).

---

realism, in philosophy

realism, in philosophy.

1 In medieval philosophy realism represented a position taken on the problem of universals. There were two schools of realism. Extreme realism, represented by William of Champeaux, held that universals exist independently of both the human mind and particular things—a theory closely associated with that of Plato. Some other philosophers rejected this view for what can be termed moderate realism, which held that universals exist only in the mind of God, as patterns by which he creates particular things. St. Thomas Aquinas and John of Salisbury were proponents of moderate realism.

2 In epistemology realism represents the theory that particular things exist independently of our perception. This position is in direct contrast to the theory of idealism, which holds that reality exists only in the mind. Most contemporary British and American philosophy tends toward realism. Prominent modern realists have included Bertrand Russell, G. E. Moore, and C. D. Broad.

Bibliography

See J. D. Wild, Introduction to Realistic Philosophy (1948, repr. 1984); P. K. Feyerabend, Realism, Rationalism, and Scientific Method (Vol. 1, 1985); C. Wright, Realism, Meaning, and Truth (1987); R. L. Arrington, Rationalism, Realism, and Relativism (1989).

---

realism

In the visual arts, an aesthetic that promotes accurate, detailed, unembellished depiction of nature or of contemporary life. Realism rejects imaginative idealization in favour of close observation of outward appearances. It was a dominant current in French art between 1850 and 1880. In the early 1830s the painters of the Barbizon school espoused realism in their faithful reproduction of the landscape near their village. Gustave Courbet was the first artist to proclaim and practice the realist aesthetic; his Burial at Ornans and The Stone Breakers (1849) shocked the public and critics with their frank depiction of peasants and labourers. In his satirical caricatures, Honoré Daumier used an energetic linear style and bold detail to criticize the immorality he saw in French society. Realism emerged in the U.S. in the work of Winslow Homer and Thomas Eakins. In the 20th century German artists associated with the Neue Sachlichkeit worked in a realist style to express their disillusionment after World War I. The Depression-era movement known as Social Realism adopted a similarly harsh realism to depict the injustices of U.S. society. See also naturalism.

---

realism

In literature, the theory or practice of fidelity to nature or to real life and to accurate representation without idealization of everyday life. The 18th-century works of Daniel Defoe, Henry Fielding, and Tobias Smollett are among the earliest examples of realism in English literature. It was consciously adopted as an aesthetic program in France in the mid-19th century, when interest arose in recording previously ignored aspects of contemporary life and society; Gustave Flaubert's Madame Bovary (1857) established the movement in European literature. The realist emphasis on detachment and objectivity, along with lucid but restrained social criticism, became integral to the novel in the late 19th century. The word has also been used critically to denote excessive minuteness of detail or preoccupation with trivial, sordid, or squalid subjects. See also naturalism.

---

realism

In philosophy, any viewpoint that accords to the objects of human knowledge an existence that is independent of whether they are being perceived or thought about. In the metaphysical debate concerning universals, realism is opposed to nominalism, which denies that universals have any reality at all (except as words), and to conceptualism, which grants universals reality but only as concepts in the mind. Against idealism and phenomenalism, realism asserts the independent existence of material objects and their qualities. Similarly, moral realism holds that the moral qualities of things and actions (such as being good or bad, right or wrong) belong to the things or actions themselves and are not to be explained in terms of the subject's feelings of approval or disapproval. In opposition to conventionalism, realism holds that scientific theories are objectively true (or false) based on their correspondence (or lack of it) to an independently existing reality.

---

realism

1. a style of painting and sculpture that seeks to represent the familiar or typical in real life, rather than an idealized, formalized, or romantic interpretation of it

2. any similar school or style in other arts, esp literature

3. Philosophy the thesis that general terms such as common nouns refer to entities that have a real existence separate from the individuals which fall under them

4. Philosophy the theory that physical objects continue to exist whether they are perceived or not

5. Logic Philosophy the theory that the sense of a statement is given by a specification of its truth conditions, or that there is a reality independent of the speaker's conception of it that determines the truth or falsehood of every statement
www.artlex.com/ArtLex/r/realism.html
www.artcyclopedia.com/history/realism.html