Requiem

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requiem

(rĕk`wēəm, rē`–, rā`–) [Lat.,=rest], proper MassMass,
religious service of the Roman Catholic Church, which has as its central act the performance of the sacrament of the Eucharist. It is based on the ancient Latin liturgy of the city of Rome, now used in most, but not all, Roman Catholic churches. The term Mass [Lat.
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 for the souls of the dead, performed on All Souls' DayAll Souls' Day,
Nov. 2 (exceptionally, Nov. 3), feast of the Roman Catholic Church on which the church on earth prays for the souls of the faithful departed still suffering in purgatory. The proper office is of the dead, and the Mass is a requiem.
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 and at funerals. The reformation of Roman Catholic liturgy following the Second Vatican Council (see Vatican Council, SecondVatican Council, Second,
popularly called Vatican II,
1962–65, the 21st ecumenical council (see council, ecumenical) of the Roman Catholic Church, convened by Pope John XXIII and continued under Paul VI.
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) has modified the traditional requiem, and it is now called the Funeral Mass, Mass for the Dead, or Mass of Christian Burial. Black vestments are no longer required, white or purple may be worn, and flowers are permitted. The hymnody, while still solemn in tone, is often joyful and reflects hope in the resurrection and the service is conducted in the vernacular. Its peculiarities include omission of the Gloria, the creed, and the blessing of the people. The famous sequence, the Dies iraeDies irae
[Lat.,=day of wrath], hymn of the Roman Catholic Church. A part of the Requiem Mass, it is a powerful description of the Judgment and a prayer to Jesus for mercy. Suggested in part by Zeph. 1.14–16, it was probably written by Thomas of Celano.
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, is now optional. The opening words of the introit, "Eternal rest grant unto them, O Lord, and let perpetual light shine upon them," echo through all the prayers for the dead. The traditional Gregorian musical setting of the requiem is quite beautiful; other requiem music has been written (e.g., by Mozart and Verdi), but it is not often heard in churches.

Requiem

 

(in Russian, panikhida,) a church funeral service. In Eastern Orthodoxy, it is conducted over the deceased before burial; on the third, ninth, 20th, and 40th day after death; on anniversaries of the death; and on the birthday and saint’s day of the deceased. Besides individual requiems for each deceased, the church conducts general or universal requiems on certain days.

Secular requiems comparable to church requiems have become widespread. They include a memorial service and procession, with an honor guard at the bier.


Requiem

 

a funeral mass in memory of the deceased and for the repose of their souls. The requiem mass is distinguished from the ordinary Catholic mass by the omission of certain sections (the Gloria and the Credo), for which other sections are substituted (the Requiem in the beginning, followed by the Dies irae, Tuba mirum, and Lacrimosa, for example).

Requiems by 15th- and 16th-century composers were cyclic, polyphonic, a cappella choral works based on Gregorian chant melodies. In the 17th and 18th centuries the requiem became a major work for choir, soloists, and orchestra and, for the most part, lost its connection with Gregorian chant. Composers combined homophonic and harmonic with polyphonic expressive means. The most outstanding requiems acquired nonreligious significance and were, as a rule, performed in concert halls. Mozart’s Requiem (1791), which was completed by his pupil F. Süssmayr, achieved world fame.

During the 19th century, requiems were composed by L. Cherubini, F. Liszt, A. Bruckner, and A. Dvořák. The most outstanding 19th-century requiems were written by Berlioz (1837) and Verdi (1874). Brahms’ A German Requiem (1868), which has a German text, is of special significance.

Requiems have also been written by contemporary composers, including B. Britten, whose War Requiem combines a liturgical Latin text with poems by W. Owen. Soviet composers do not use liturgical texts in requiems (for example, D. B. Kaba-levskii’s Requiem for V. I. Lenin [the Symphony No. 3, 1933] and his Requiem in memory of the victims of fascism [1963]).

REFERENCE

Schnerich, A. Messe und Requiem seit Haydn und Mozart. Vienna-Leipzig, 1909.

B. V. LEVIK

Requiem

religious mass (music or spoken) for the dead. [Christianity: Payton, 568]
See: Death

Requiem

1. RC Church a Mass celebrated for the dead
2. a musical setting of this Mass
3. any piece of music composed or performed as a memorial to a dead person or persons
References in periodicals archive ?
Faure's Requiem is perhaps his most popular piece of music.
This year's Oregon Bach Festival includes a world-premiere performance on July 2 of a requiem composed especially for the festival by the pre-eminent Scottish composer and conductor James MacMillan.
In Requiem, a new three-part series on S4C, singers and composers from Wales and beyond will be discussing the origin, development and the future of the requiem, along with powerful and sensitive performances that will bring to life some of the world's greatest requiems.
COFIO, dathlu, dychryn a choffau; mae ffurf gerddorol unigryw'r requiem yn ennyn llu o ddelweddau ac emosiynau gwahanol a hynny ers dyfodiad y requiem gyntaf nol yn y canol oesoedd.
THE Mozart Requiem is rather like a London bus: you wait for ages, and then three of them come along at once.
I have resumed work on the Requiem, interrupted for many months for obvious reasons, and I hope to bring it to a satisfactory end.
com)-- On Sunday, December, 1, at 8:00 PM, over 80 musicians will perform a stunningly beautiful requiem in the sanctuary of Bethlehem United Church of Christ on Fourth Street, in Ann Arbor.
A GWYNEDD omposer has written a requiem for the Foreign Ministry of the Czech Republic to mark the 40th Anniversary of the protest suicide of a student.
Given the strength of Shaw's acidic convictions, it's doubtful even the magnificence, ambition and professional sheen of the Salisbury Singers' performance of the Requiem Saturday night at St.
No requiems but this one, a worshiper of your grace and beauty and divine creation does swear - I will not forget your tragic passing this night and many more in prayers to the Great Spirit that this madness which has destroyed you will come to it's own end and soon.
Unlike many imposing Requiem Masses, composed as monuments to people who have died, Gabriel Faur's is gentle and serene, sometimes described as a "lullaby to the departed.