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serialism
(redirected from serialist)

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serialism

Use of an ordered set of pitches as the basis of a musical composition. The terms 12-tone music and serialism, though not entirely synonymous, are often used interchangeably. The serial method was worked out by Arnold Schoenberg in the years 1916–23, though another serial method was being devised simultaneously by Josef Matthias Hauer. To Schoenberg, it represented the culmination of the growth of chromaticism in the late 19th and early 20th century. In an attempt to erase the system of tonality, which he regarded as outworn but which frequently asserted itself even in the music of composers who desired to transcend it, Schoenberg's original method stipulated (among several other requirements) that no note could be repeated before all 11 other notes of the chromatic scale had been used. Serialism, a broader term than 12-tone music, can be applied to the use of fewer than 12 tones. “Total serialism,” a concept that arose in the late 1940s, attempts to organize not only the 12 pitches but also other elements such as rhythm, dynamics, register, and instrumentation into ordered sets.



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“In the 20th century, serialists and neoclassicists spent a lot of time writing manifestos against each other to advance their cause,” says Jorge Grossmann, professor of music composition and theory at UNLV.
Le Marteau sans Maître, in which Alison Wells was the generously expressive mezzo soloist, may be more than 50 years old, yet it still seems a daring score, plunging the serialist aesthetic into a newly exotic world of colour, exquisite detail and intricate interconnections, as well as being a beautiful musical object.
Starting in the 1970s, this serialist of the early years would orient his language toward a hypermelodism, ultimately producing a Gesamtkunstwerk--LICHT (1977-2003)--whose composition would take practically the rest of his life.
 
 
 
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