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band
(redirected from stria)

   Also found in: Dictionary/thesaurus, Medical, Wikipedia, Hutchinson 0.03 sec.
band, in music, a group of musicians playing principally on wind and percussion instruments, usually outdoors. Prior to the 18th cent., the term band was frequently applied in a generic sense to cover the combinations of instruments employed by kings and nobles. The term is also used for an ensemble of any one type of instrument, as brass band, wind band, marimba band. As town bands once provided music for social dancing, so do modern jazz and rock bands of numerous descriptions (see jazz jazz, the most significant form of musical expression of African-American culture and arguably the most outstanding contribution the United States has made to the art of music.

Origins of Jazz



Jazz developed in the latter part of the 19th cent.
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, rock music rock music, type of music originating in the United States in the mid-1950s and increasingly popular throughout much of the world.

Origins of Rock


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).

Modern bands usually include the piccolo piccolo, small transverse flute pitched an octave higher than the standard flute. Its tone is bright and shrill, and it can produce the highest notes in the orchestral range. The piccolo is used in orchestras and especially in military bands. See fife .
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, flute flute, in music, generic term for such wind instruments as the fife , the flageolet , the panpipes , the piccolo , and the recorder . The tone of all flutes is produced by an airstream directed against an edge, producing eddies that set up vibrations in the air
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, clarinet clarinet, musical wind instrument of cylindrical bore employing a single reed. The clarinet family comprises all single-reed instruments, including the saxophone. The predecessor of the modern clarinet was the simpler chalumeau, which J. C.
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, oboe oboe (ō`bō, ō`boi) [Ital., from Fr.
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, English horn English horn, musical instrument, the alto of the oboe family, pitched a fifth lower than the oboe and treated as a transposing instrument . It has a pear-shaped bell, giving it a soft, melancholy tone.
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, bassoon bassoon (băs
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, saxophone saxophone, musical instrument invented in the 1840s by Adolphe Sax. Although it uses the single reed of the clarinet family, it has a conical tube and is made of metal.
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, cornet cornet, brass wind musical instrument, created in France about 1830 by adding valves to the post horn. It is usually in B flat and is the same size as the B flat trumpet, but has a more conical bore.
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, trumpet trumpet, brass wind musical instrument of part cylindrical, part conical bore, in the shape of a flattened loop and having three piston valves to regulate the pitch.
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, French horn French horn, brass wind musical instrument. Fundamentally a metal tube of narrow conical bore, it is curved into circles because of its great length. The horn ends in a wide flare. It is a development (c.1650) of the small hunting horn.
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, trombone trombone [Ital.,=large trumpet], brass wind musical instrument of cylindrical bore, twice bent on itself, having a sliding section that lengthens or shortens it and thus regulates the pitch. The descendant of the sackbut , it was developed in the 15th cent.
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, tuba tuba (t`bə) [Lat.
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, flügelhorn flügelhorn (flü`gəlhôrn')
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, euphonium, and various percussion instruments percussion instrument, any instrument that produces musical sound when its surface is struck with an implement (such as a mallet, stick, or disk) or with the hand.
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. Concert bands may add the cello, bass viol, and harp. The band repertory has traditionally included flourishes, marches, and music transcribed from other mediums.

Early Bands

Groupings of loud instruments characterized Saracen military bands participating in the Crusades. About 1300, similar groups, often including the shawm shawm (shôm), double-reed woodwind instrument used in Europe from the 13th through the 17th cent.
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 (a type of oboe), trumpet, and drum, appeared in the courts and towns of Europe. Town bands were manned by members of the watch and were integral to both the civic and social life of the community. These musicians participated in processions, dances, weddings, and feasts and provided incidental music for dramatic representations. During the 16th cent. the practice of playing instruments of the same family in consort (as in a shawm band) became popular, and new families of wind instruments added variety.

Evolution of Military and Concert Bands

As the town band began to decline at the end of the 17th cent., its official duties gradually shifted to the military band. A vestige of the extravagant, almost ritualistic affectations of the instrumentalists has survived in the routines of present-day drum majors and majorettes. For several centuries the general composition of the military band remained static, the fife and drum being associated with the infantry and the trumpet and kettledrum with the cavalry. France introduced the oboe in the latter half of the 17th cent., and a gradual merger with the full wind contingent of the town band ensued.

Important developments in instrument-making affected the composition of bands in the 19th cent. A Prussian bandmaster, Wilhelm Wieprecht (1802–72), introduced (c.1830) valve trumpets and horns into the military band. The saxhorns and saxophones of Adolphe Sax were incorporated into French military bands at midcentury. The sarrusophone was added in the 1860s, thus completing the instrumental ensemble that in most respects is known today.

Two outstanding European bands are the British Royal Artillery Band (founded 1762) and the band of the French Garde Républicaine, playing under that name since 1872. The U.S. Marine Band, founded in 1798, was the first important band in the United States and remains outstanding. The first U.S. band devoted exclusively to the presentation of public concerts was that of P. S. Gilmore, founded in 1859. His successor as America's leading bandmaster was John Philip Sousa Sousa, John Philip (s
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 (1854–1932). In 1911, Edwin Franko Goldman organized the Goldman Band, which continues to give outdoor concerts in New York City in the summer.

Bibliography

See R. F. Goldman, The Band's Music (1938) and The Concert Band (1946).


band

Type of human social organization consisting of a small number of nuclear families (see family) or related subgroups who are loosely organized for purposes of subsistence or security. Bands may be integrated into a larger community or tribe. They generally exist in sparsely populated areas and possess relatively simple technologies; their habitats range from the desert (Australian Aboriginals) to the African rainforest (Bambuti) to the North American tundra (Kaska). Bands may occasionally coalesce for broader community ceremonies, hunting, or warfare. See also hunting and gathering society; sociocultural evolution.


band

Musical ensemble that generally excludes stringed instruments. Ensembles of woodwind, brass, and percussion instruments originated in 15th-century Germany, taking on a particularly military role; these spread to France, Britain, and eventually the New World. In the 15th–18th centuries, many European towns had town musicians, or waits, who performed especially for ceremonial occasions in wind bands often consisting primarily of shawms and sackbuts (trombones). In the 18th–19th centuries, the English amateur brass band, largely consisting of the many newly developed brass instruments, took on the important nonmilitary function of representing organizations of all kinds. In the U.S., Patrick Gilmore's virtuoso band became famous in the mid-19th century; his greatest successor, John Philip Sousa, bequeathed a repertory of marches that has remained very popular. The “big band,” under leaders such as Duke Ellington and Count Basie, was central to American popular music in the 1930s and '40s. In the rock band, unlike most other bands, stringed instruments (electric guitars and electric bass) are paramount.


(1) The range of frequencies used for transmitting a signal. A band is identified by its lower and upper limits; for example, a 10 MHz band in the 100 to 110 MHz range. See satellite bands and optical bands.

(2) A rectangular section of a page that is created and sent to the printer. See band printing.

(3) The printing element in a band printer. See band printer.


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3) This finding has been corroborated in humans; lengthening of the interpeak latencies in the auditory brainstem response, collapse of the endolymphatic space, and the presence of deposits in the stria and vestibular apparatus have been documented in uremic humans.
The volume of the central subdivision of the bed nucleus of the stria terminalis (BSTc), a sexually dimorphic brain area that is essential for sexual behavior, is larger in men than in women.
The schilling as our currency -- a genuine, organic currency with the sovereign state of Austria behind it, with political accountability, ultimately, to the citizens of Au stria.
 
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