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Syntagm
(redirected from syntagms)

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Syntagm 

in a broad sense, any sequence of linguistic elements linked by the relationship of dependent member to governing member. This is F. de Saussure’s concept of syntagm.

A syntagm may be a sequence of words (external syntagm) or a sequence of morphemes (internal syntagm). For example, dom-ik forms an internal syntagm in which the element dom- (“house”) is the dependent member and ik (diminutive suffix) the governing member. This syntagm corresponds to the external syntagm malen’kii dom, in which dom is dependent and malen’kii (“small”) is governing.

In a narrower sense, a syntagm is a phrase within a sentence; it may be predicative, attributive, or objective. In this same sense, the sentence is a chain of consecutive syntagms. L. V. Shcherba defined a syntagm as an articulated phonetic unit organized by intonation, expressing a single meaningful whole, and consisting of one or several rhythmic groups. A sentence may be divided into syntagms in various ways, depending on shades of meaning, logical emphasis, or syntactic homonymy. An example is vchera/bylo zharko as contrasted to vchera bylo/zharko (“yesterday/it was hot”—”yesterday it was/hot”).

REFERENCES

Kartsevskii. S. O. Povtoritel’nyi kurs russkogo iazyka. Moscow-Leningrad, 1928.
Saussure, F. de. Kurs obshchei lingvistiki. Moscow, 1933. (Translated from French.)
Vinogradov, V. V. Poniatie sintagmy v sintaksise russkogo iazyka. In the collection Voprosy sintaksisa sovremennogo russkogo iazyka. Moscow, 1950.
Bally, C. Obshchaia lingvistika i voprosy frantsuzskogo iazyka. Moscow, 1955. (Translated from French.)
Shcherba, L. V. Fonetika frantsuzskogo iazyka, 7th ed. Moscow, 1963.

V. A. VINOGRADOV



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In natural languages, syntagms may take the form of sentences; in retrieval languages they may be called statements, subject headings, strings, or chains.
Influenced by the interplay between the syntagmatic and paradigmatic levels of linguistic expression, Jackobson (1960) carried this notion further when he demonstrated how poetry is distinguished by the placing of paradigms on syntagms to achieve periodicity and how periodicity is present in all discourses as a structuring device.
In addition, notes of the missing syntagms have to be made, and schemes of the structure and movement of the text have to be drawn, making the piece difficult to comprehend.
 
 
 
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