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textiles |
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textiles, all fabrics made by weaving, felting, knitting, braiding, or netting, from the various textile fibers (see fiber fiber, threadlike strand, usually pliable and capable of being spun into a yarn. Many different fibers are known to be usable; some 40 of these are of commercial importance, and others are of local or specialized use. ..... Click the link for more information. ). Types of TextilesTextiles are classified according to their component fibers into silk, wool, linen, cotton, such synthetic fibers as rayon, nylon, and polyesters, and some inorganic fibers, such as cloth of gold, glass fiber, and asbestos cloth. They are also classified as to their structure or weave, according to the manner in which warp and weft cross each other in the loom (see loom loom, frame or machine used for weaving ; there is evidence that the loom has been in use since 4400 B.C.
Tapestry tapestry, hand-woven fabric of plain weave made without shuttle or drawboy, the design of weft threads being threaded into the warp with fingers or a bobbin. The Printing of TextilesTextile printing, the various processes by which fabrics are printed in colored design, is an ancient art. Although the time and place of origin are uncertain, examples of Greek fabrics from the 4th cent. B.C. have been found. India exported block prints to the Mediterranean region in the 5th cent. B.C., and Indian chintz was imported into Europe during the Renaissance and widely imitated. France became a leading center and was noted especially for the toile de Jouy manufactured at Jouy from 1760 to 1811. Early forms of textile printing are stencil work, highly developed by Japanese artists, and block printing. In the latter method a block of wood, copper, or other material bearing a design in intaglio with the dye paste applied to the surface is pressed on the fabric and struck with a mallet. A separate block is used for each color, and pitch pins at the corners guide the placing of the blocks to assure accurate repeating of the pattern. In cylinder or roller printing, developed c.1785, the fabric is carried on a rotating central cylinder and pressed by a series of rollers each bearing one color. The design is engraved on the copper rollers by hand or machine pressure or etched by pantograph or photoengraving methods; the color paste is applied to the rollers through feed rollers rotating in a color box, the color being scraped off the smooth portion of the rollers with knives. More recent printing processes include screen printing, a hand method especially suitable for large patterns with soft outlines, in which screens, one for each color, are placed on the fabric and the color paste pressed through by a wooden squeegee; spray printing, in which a spray gun forces the color through a screen; and electrocoating, used to apply a patterned pile. Color may be applied by the various processes directly; by the discharge method, which uses chemicals to destroy a portion of a previously dyed ground; or by the resist, or reserve, method, which prevents the development of a subsequently applied color to a portion of the fabric treated with a chemical or with a mechanical resist. HistoryYarn, fabrics, and tools for spinning and weaving have been found among the earliest relics of human habitations. Linen fabrics dating from 5000 B.C. have been discovered in Egypt. Woolen textiles from the early Bronze Age in Scandinavia and Switzerland have also been found. Cotton has been spun and woven in India since 3000 B.C., and silk has been woven in China since at least 1000 B.C. About the 4th cent. A.D., Constantinople began to weave the raw silk imported from China. A century later silk culture spread to the Western countries, and textile making developed rapidly. By the 14th cent. splendid fabrics were being woven on the hand looms of the Mediterranean countries in practically all the basic structures known to modern artisans, and there has been no change in fundamental processes since that time, although methods and equipment have been radically altered. BibliographySee A. T. C. Robinson, Woven Cloth Construction (1967); E. E. Stout, Introduction to Textiles, (3d ed. 1970); A. Geijer, A History of Textile Art (1982); F. M. Montgomery, Textiles in America, 1650 to 1870 (1984); M. Thomas, Textiles: History of an Art (1985); E. J. W. Barber, Prehistoric Textiles (1991). How to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit webmaster's page for free fun content. |
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They had lost any idea of making textiles, they could hardly make up clothes when they had material, and they were forced to plunder the continually dwindling supplies of the ruins about them for cover. |
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