Theme

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theme

1. Music a group of notes forming a recognizable melodic unit, often used as the basis of the musical material in a composition
2. a short essay, esp one set as an exercise for a student
3. (in the Byzantine Empire) a territorial unit consisting of several provinces under a military commander

Theme

An idea, point of view, or perception embodied in a work of art; an underlying and essential subject of artistic expression.

development

To disclose by degree or in detail; to evolve the possibilities by a process of growth; to elaborate with the gradual unfolding of an idea.

variation

Repetition of a theme with embellishments in rhythm, details, and materials while keeping the essential characteristics of the original.

Theme

 

an object of artistic treatment; the range of phenomena in life selected by a writer or artist and fashioned into a whole by the author’s concept.

To an extent, the relation between the theme and the author’s intellectual concept also permits the theme to be viewed as the work’s principal problem or idea (hence the concepts of an intellectual and thematic basis or interpretation of a work). While noting the role of the artist’s world view in the choice and development of a theme, one must bear in mind that an artistic theme does not exist outside of an artistic image or, in particular, outside of a plot structure (in a narrative or dramatic work), even though it is more accessible than other components of an artistic work. Therefore, the theme cannot be treated as if it were circumscribed by a single meaning. Every work tends to have a multiplicity of themes. A theme exists in images, causing different works on one common theme, such as the superfluous man or the lost generation, to acquire different spiritual and intellectual meanings. Poetry recognizes the existence of “eternal themes,” such as love, death, and freedom.

Soviet criticism has developed the concept of the “thematic picture” (tematicheskaia kartina), which constitutes an artistic work on a significant theme, such as a military-historical work or a work that takes man’s labor or daily life as its subject. In representational art, theme forms its own genre, for example, genre art, historical painting, and portraiture; this is also seen in literature, for example, science fiction and the detective story.

In music, the theme is a structure that expresses a specific musical idea and represents an important element in the musical work. Usually a musical theme is not merely expounded, but developed. In polyphonic music the theme is monophonic and is taken by different voices in turn; in homophonic music the theme usually unites the leading melody and accompanying voices, which provide the melody with a harmonic interpretation. In many cases, two, three, or more contrasting themes are found in relatively long and complex musical works; the most complex structures in instrumental music are characteristic of the sonata form. In other instances, a work may be built on more or less free transformations of a single theme; such transformations may even result in a change of genre within the work. Sometimes, particularly in operatic music, very short musical phrases or figures (leitmotifs) are raised to the level of a theme.


Theme

 

the first element in a sentence; one of the two basic concepts in the functional analysis of a sentence, whereby a spoken sentence is divided according to meaning into an initial part—the given—and that which is said about the given—the new. The theme usually coincides with the grammatical subject, but any other expression of it is possible: lablokl—uima (“Apples/—lots of them,” where “apples” is the theme) and Na vtoroel podali bifshteks (“For the second course they served beef cutlets,” where “for the second course” is the theme).

In writing, the theme may be separated by a dash or left unsep-arated from the rest of the sentence. In the speech of many languages, it is marked by intonation, as in Russian Okhotal zapreshchena (“Hunting is prohibited,” where “hunting” is the theme). In Russian the theme is most often situated at the beginning of an utterance. In many languages, such as Japanese and the Hamito-Semitic languages, the theme has special morphological or syntactic markers. In some sentences expressing existence or a statement of fact, it is not separable from the rest of the sentence: Idet sneg (“It is snowing”) and Net deneg (“There is no money”).

REFERENCES

Raspopov, I. P. Aktual’noe chlenenie predlozheniia. Ufa, 1961.
Adamets, P. Poriadok slov v sovremennom russkom iazyke. Prague, 1966.
Grammatika sovremennogo russkogo literaturnogo iazyka. Moscow, 1970.

Theme

 

a military and administrative district in the Byzantine Empire.

The theme system emerged in response to the breakdown of the late Roman provincial structure, in which military and civil authority were strictly separated. The themes, which succeeded the exarchates, first appeared in the seventh century. The first themes in Asia Minor—Anatolikon, Armeniakon, and Opsikion—were large districts in which sizable military units, also called themes, were deployed. The districts were ruled by the commanding officers of the units, the strategoi, who exercised military and judicial powers and controlled taxation.

The themes were broken up into smaller units as the power of the state increased; by the 11th century, the themes had been replaced by small military districts, which were united into larger units known as ducatae and catapanates. Only the Nicaean Empire retained the division into themes, which took the form of districts of moderate size governed by vicegerents, who were frequently replaced. In the 14th century the theme system gave way to a system of independent principalities, such as the Despotate of Morea, in the hereditary possession of great feudal families.

REFERENCES

Litavrin, G. G. Bolgariia i vizantiia v XI-XII vv. Moscow, 1960.
Angelov, D. “K voprosu o praviteliakh fern v Epirskom despotate i Nikeiskoi imperii.” Byzantinoslavica, 1951, vol. 12.
Pertusi, A. “La Formation des themes byzantins.” In Berichte zum XI. internationalen Byzantinisten-Kongress. Munich, 1958.
Karayannopulos, J. Die Entstehung der byzantinischen Themenordnung. Munich, 1959.

theme

The visual motif (design, style) of a website, PowerPoint presentation or software. For example, an operating system theme comprises the window border and title bar colors, desktop background and typography. See skin and theme aware.
References in periodicals archive ?
Appendix C is an alphabetical index of the first lines of vocal works (including operatic excerpts, where these were given in the thematic index).
With these studies in mind, a clear gap exists in the literature concerning the interpretation and testing of thematic map symbols in a whole-map context, particularly with regard to the recognition of spatial patterns.
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A fifth emergent thematic dimension framing changes in teacher thinking involved the grounding of teacher thinking in research.
Therefore, in this contribution a methodology for selection of thematic layers for regional maps will be presented.
The short plays by, respectively, Kichizo Nakamura, Kan Kikuchi and Shimizu Kunio have no distinct thematic links and different actors are employed for each segment with almost no crossover.
Finally, one must ask what a thematic approach to biblical theology encompassing both Old and New Testaments does to the plurality of voices in scripture.
But the problem reaches deeper, into the thematic realm.
This special issue of The Career Development Quarterly (CDQ), together with the jointly published thematic issue of the International Journal for Educational and Vocational Guidance (IJEVG), presents the outcomes from an international symposium, titled International Perspectives on Career Development.
Often there is a thematic relationship between the gospel and the first reading.
As Greek musicologist Minos Dounias has pointed out, Constantinidis did not undertake thematic development in his compositions, a process that would include "variation, regeneration, and eventual transformation of the original melody.
Right from the start of her narrative filmmaking career, Rozema quickly began to establish the thematic and stylistic terrain that would later come to define her entire oeuvre.