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Tonadilla

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Tonadilla 

a type of Spanish musical comedy that was popular during the 18th and early 19th centuries. Originally a song with a refrain, it later became a short scenic intermezzo with music and dances that was performed between the acts of a play.

Around 1750, the tonadilla became an independent stage production that was often a vehicle for topical satire. Between 1770 and 1800, the tonadilla was very popular. Tonadillas were written by L. Misón, A. Guerrero, J. Palomino, B. de Laserna, V. Galbán, P. Esteve, and P. de Moral. Around 1850 the tonadilla declined in importance as the zarzuela became prevalent. The last writer of tonadillas is considered to be the singer, guitarist, and composer M. Garcia. A song from García’s tonadilla The Imaginary Servant (1804) was used by G. Bizet in his opera Carmen. E. Granados wrote songs for voice and piano entitled Collection of Tonadillas Written in the Old Style.



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The world of Spanish painter Francisco de Goya was one of his sources of inspiration in Goyescas for piano (later transformed into an opera) and the Tonadillas (La Maja Dolorosa I, II and III).
With both the zarzuela and the comedia, the evening's entertainment as a whole would also include a loa by way of introduction, sainetes, entremeses or tonadillas (without any apparent formal distinction) between the jornadas, and possibly a fin de fiesta at the end.
Esta tonadilla sirve de leitmotiv para evocar la melancolia producida por los efectos del amor no correspondido y su repeticion anticipa el infeliz desenlace amoroso de la pareja.
 
 
 
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