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tone poem
(redirected from tone poems)

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tone poem: see symphonic poem symphonic poem, type of orchestral composition created by Liszt, also called tone poem. Discarding classical principles of form, it begins with a poetic or other literary inspiration.
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symphonic poem

 or tone poem

Musical work for orchestra inspired by an extramusical story, idea, or “program,” to which the title typically refers or alludes. It evolved from the concert overture, an overture not attached to an opera or play yet suggestive of a literary or natural sequence of events. Franz Liszt, who coined the term, wrote 13 such works. Famous symphonic poems include Bedrich Smetana's The Moldau (1879), Claude Debussy's Prelude to the Afternoon of a Faun (1894), Paul Dukas's The Sorceror's Apprentice (1897), Richard Strauss's Don Quixote (1897), and Jean Sibelius's Finlandia (1900).



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They’re delicate tone poems that, however, center most often on the cruel, the disgusting or the sad.
Vernon Handley continues his campaign for Arnold Bax's orchestral music with his second disc of tone poems.
Following his writing a succession of popular, big-scale tone poems like Don Juan, Tod und Verklarung (Death and Transfiguration), Don Quixote, Ein Heldenleben (A Hero's Life), and Also sprach Zarathustra, Richard Strauss ended his love affair with the genre in 1915 with An Alpine Symphony.
 
 
 
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