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typography

   Also found in: Dictionary/thesaurus, Wikipedia, Hutchinson 0.01 sec.
typography (tīpŏg`rəfē), the art of printing printing, means of producing reproductions of written material or images in multiple copies. There are four traditional types of printing: relief printing (with which this article is mainly concerned), intaglio, lithography, and screen process printing.
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 from movable type. The term typographer is today virtually synonymous with a master printer skilled in the techniques of type and paper stock selection, ornamentation, and composition. Before the development of typography, related arts flourished for centuries. Scribes in ancient Egypt and the Middle East perfected the craft of writing on papyrus scrolls and clay tablets. Hellenistic and Roman makers of books developed the art, which reached a peak of aesthetic perfection in the exquisite illuminated manuscripts manuscript, a handwritten work as distinguished from printing. The oldest manuscripts, those found in Egyptian tombs, were written on papyrus ; the earliest dates from c.3500 B.C.
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 of the Middle Ages (see illumination illumination, in art, decoration of manuscripts and books with colored, gilded pictures, often referred to as miniatures (see miniature painting ); historiated and decorated initials; and ornamental border designs.
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, in art). The first European typographers imitated these manuscripts, but the introduction of metal types in the 15th cent. brought about a radical transformation. Crisp and uncompromising, metal types imposed new standards of composition. A highly conservative art, modern typography adheres closely to tradition. Since legibility is of the utmost importance, the forms that print most legibly are retained. Now created on computers, new typographic styles (type faces) continue to develop, to suit myriad uses in the design of advertisements, posters, newspapers, greeting cards, almanacs, and fine books. For a list of notable type designers, see type type, for printing , was invented in China (c.1040), using woodblocks. Related devices, such as seals and stamps for making impressions in clay, had been used in ancient times in Babylon and elsewhere.
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Bibliography

See E. Gill, An Essay on Typography (1931, reprint 1988); J. R. Biggs, Basic Typography (1969); W. Chappell, A Short History of the Printed Word (1980); P. Baines and A. Haslam, Type and Typography (2002). See also bibliography under type.


typography

Design or selection of letter forms to be organized into words and sentences and printed or displayed electronically. Typography originated after the invention of printing from movable type in the mid 15th century. The three major type families in the history of Western printing are roman, italic, and black letter (Gothic). All had their origin in the scripts of the calligraphers whose work was ultimately replaced by printing. In the succeeding centuries typographers have created some 10,000 typefaces (a complete set of letter forms of a particular design). Depending on the style of their letters, typefaces are categorized as old style, transitional, and modern. Commonly used typefaces include Caslon, Baskerville, Bodoni, Garamond, and Times New Roman. See also John Baskerville; Giambattista Bodoni; Stanley Morison. The selection of a typeface is an important part of the aesthetic process in graphic design.


typography

The layout of text on a printed page, sign or other object. It refers to the style, size and layout of the text characters (fonts). The oldest typographic tool ever discovered was the Phaistos Disc, a bronze disc with raised Greek characters. Its date of origin is disputed by the experts; from as far back as 1400 B.C. to as "recent" as the 1300s A.D. See imagesetter and font.


typography [tī′päg·rə·fē]
(graphic arts)
The techniques involved in letterpress printing, including style, arrangements, and appearance of the printed matter.


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Enhanced with the inclusion of an extensive bibliography on Tschichold's writings and historical appendices of his inter-office memoranda and texts, "Jan Tschichold, Designer" is a significant addition to academic library collections on the history of publishing, and an especially recommended for students and non-specialist general readers with an interest in typography, book design, and the publishing industry.
One month there'd be a male model on the cover, the next month nothing but typography, the next month a male celebrity, the next month a busty, Maximish babe.
These maps offered firefighters layers of information, from typography to the types of trees in the ground to how many homes were fanned out across the land.
 
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