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Related to violoncello: cellist, Violin family, ARPA, cellos


see violinviolin,
family of stringed musical instruments having wooden bodies whose backs and fronts are slightly convex, the fronts pierced by two f-hole-shaped resonance holes. The instruments of the violin family have been the dominant bowed instruments because of their versatility,
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(Italian, diminutive of violone, contrabass), a bowed musical instrument of the violin family, made in the bass-tenor register. The four strings are tuned in fifths (C two octaves below middle C, G a fifth above that, D below middle C, and A above middle C).

The cello is used as a solo, ensemble, and orchestral instrument. It originated around the turn of the 16th century as a result of the development of folk string instruments. The classic examples of the violoncello were created by the Italian masters of the 17th and 18th centuries, A. and N. Amati, G. Guarnieri, and A. Stradivari. The Russian master I. A. Batov and the Soviet masters E. F. Vitachek and T. F. Podgornyi also created highly successful violoncellos.

In the 17th and 18th centuries the violoncello replaced the viola da gamba in aristocratic circles, largely because of its rich expressive and technical possibilities and its fuller and brighter sound, similar in timbre to the human voice. Com-posers who wrote concertos, sonatas, and suites for the violoncello include J. S. Bach, J. Haydn, L. Boccherini, L. Beethoven, F. Mendelssohn, F. Chopin, E. Grieg, J. Brahms, R. Schumann, C. Saint-Saens, E. Lalo, and A. Dvorak. Composers for the cello include P. I. Tchaikovsky, N. A. Rimsky-Korsakov, A. K. Glazunov, S. V. Rachmaninoff, S. S. Prokofiev, D. D. Shostakovich, A. I. Khachaturian, D. B. Kabalevsky, and T. N. Khrennikov. Some of the greatest foreign cellists were L. Boccherini, J. L. Dupourt, B. Romberg, F. Servé, and P. Casals; great Russian cellists include K. lu. Davydov, A. V. Verzhbilovich, and A. A. Brandukov; great Soviet cellists include M. L. Rostropovich, S. N. Knushevitskii, and D. B. Shafran.


Ginzburg, L. Istoriia violonchel’nogo iskusstva. Books 1-2. Moscow-Leningrad, 1950-57.
Ginzburg, L. Istoriia violonchel’nogo iskusstva. Russkaia klassi-cheskaia violonchel’naia shkola. Moscow, 1965.
Wasielewski, W. J. Das Violoncello und seine Geschichte, 3rd ed. Leipzig, 1925.
Forino, L. Il violoncello, il violoncellist a ed i violoncellisti. 2nd ed. Milan, 1930.


References in periodicals archive ?
Divertimento [F-Dur] per Viola con accompto di due Violini, Viola e Violoncello Mailand, G.
SIX / SONATAS / for the / Piano Forte or Harpsichord, / with an Accompaniment for a / FLUTE or VIOLIN, and VIOLONCELLO, / Composed & Dedicated (by Permission) to / HER MAJESTY, / The Queen of Great Britain, / By IGNACE PLEYEL.
Isabel Charius - violin, Valentin Erben - violoncello
Beethoven: Complete Music for Piano and Violoncello Andras Schiff, piano/Miklos Perenyi, violoncello (ECM New Series 1819/20 B0003389-02)
The Ivan Galamian Scale System for Violoncello, Volume II, arranged and edited by Hans Jorgen Jensen.
Trio fur Violine, Violoncello, und Klavier, nach dem Sextett in B op.
8 and Leonard Bernstein's Trio for Violin, Violoncello and Piano.
Up to 2007 the categories included, in turn, piano, violin, viola, cello, string quartet and a piano trio, while since 2008 the categories of viola and violoncello (in even years) alternate with piano and violin (in odd years).
Leclair's original publication came as a set not of five parts but of six, with two identical copies of the violoncello e organo.
22, and several other songs, including the composer's last song Dopis (Letter), of 1940, and Leden (January), of 1933, for soprano/tenor, flute, two violins, violoncello, and piano.
17 and Other Pieces for Violoncello and Piano, HN 669, edited by Rudolf Elvers and Ernst-Gunter Heinemann; fingering of piano part by Klaus Schilde; fingering and bowing of violoncello part by Claus Kanngiesser.
Grand Concertante Trio, for Guitar, Violin, and Violoncello, Op.