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(ăk`mēĭsts), school of Russian poets started in 1912 by Sergei M. Gorodetsky and Nikolai Stepanovich GumilevGumilev, Nikolai Stepanovich
, 1886–1921, Russian poet. With his wife, the poet Anna Akhmatova, and Gorodetsky Gumilev, he founded the Acmeist school of poetry in 1912.
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 as a reaction against the mysticism of the symbolists. The school aspired to concreteness of imagery and clarity of expression. The leading Acmeists were Gumilev, Anna AkhmatovaAkhmatova, Anna
, pseud. of Anna Andreyevna Gorenko
, 1888–1966, Russian poet of the Acmeist school. Her brief lyrics, simply and musically written in the tradition of Pushkin, attained great popularity. Her themes were personal, emotional, and often ironic.
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, and Osip MandelstamMandelstam, Osip Emilyevich
, 1892–1938, Russian poet. Mandelstam was a leader of the Acmeist school. He wrote impersonal, fatalistic, meticulously constructed poems, the best of which are collected in Kamen [stone] (1913) and Tristia (1922).
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See L. I. Strakhovsky, Craftsmen of the Word: Three Poets of Modern Russia.

References in periodicals archive ?
During these few years, everyone congregated there--Symbolists, Acmeists, Expressionists, Dadaists, zaurn poets, Futurists, Cubists, Cubo-Futurists.
In her youth she did not care for the Symbolists; she was a real Acmeist, like Gumilev and Mandelstam.
Tomei's "Conceptual Apparatus," outlined in her introduction, seeks to avoid any grouping of women authors according to standard usage, replacing it by groups "into periods roughly around the dates of their death," which allows Anna Akhmatova to be dealt with in her entirety rather than as an acmeist poet of the Silver Age.
The fact that many of the traits found in the works of the oberiuty also appear in futurist and acmeist writers is duly noted, as are occasional echoes of Russian formalism.
Together with Mikhail Zenkevich (one of the early acmeists (2)), Kashkin introduced Russian readers to the finest works of T.
He belonged to several groups of poets, including the Acmeists, the Islanders (Ostrovitiane), and the Association for Real Art, usually known by its Russian acronym OBERIU.
The natives rejected this culture and this civilization, retaining a respect for czarist arts and letters or Petersburg-Leningrad culture at best; but these were decimated during the Stalinist purges, and only echoes of the Acmeists, Bely, Chekhov, and the like were recognized as culture.