Reinhardt, Ad

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Reinhardt, Ad

(Adolph Reinhardt), 1913–67, American painter, b. New York City. Both a painter and an art theorist, Reinhardt is best known for his black paintings, begun in 1960. Associated with minimalism (see modern artmodern art,
art created from the 19th cent. to the mid-20th cent. by artists who veered away from the traditional concepts and techniques of painting, sculpture, and other fine arts that had been practiced since the Renaissance (see Renaissance art and architecture).
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), the paintings appear all black and exhibit only slight variations in hue and the presence of form on close scrutiny. In rejecting the conventional attributes of painting, he attempted to abstract the pure and contemplative qualities he admired in Eastern art.

Reinhardt, (Adolph Dietrich Friedrich) Ad

(1913–67) painter, teacher; born in Buffalo, N.Y. He studied at Columbia University (1931–35, 1936–37), and at New York University (c. 1946–50). Based in New York, he was a member of the American Abstract Artists group (1937–47). He taught at Brooklyn College, New York (1947–67), and worked as an art critic, illustrator, and cartoonist for various periodicals. Influenced by oriental art, he traveled to Asia in 1958. He began as an abstract minimalist and colorist and remained so. In the 1940s he painted bright abstractions, went on to his red and black period, as seen in Red Painting (1952), and from 1952 he concentrated on his "black" paintings, which combine subtle color tonalities.
References in periodicals archive ?
In contemporary art section, a highlight is Annie Cabigting's painting 'Black (After Ad Reinhardt at the Moma),' part of her series on museumgoers looking at works of art, not passive as they're usually portrayed in most paintings, but actively engaged.
He was a member of the Ja-na-pa Group, and right from the beginning of his artistic journey, his analytical approach aligned him with artists such as Pete Mondrian, Ad Reinhardt and Robert Ryman.
Lippard and John Chandler suggested that Conceptual art belonged to "the current trend back to 'normalcy'"; they cited as evidence "the provocative opening show of the East Village cooperative Lannis Museum of Normal Art," which "pays unobtrusive homage to the late Ad Reinhardt and to his insistence that only 'art-as-art' is normal for art.
But women played a key role in the articulation of the movement: as early as 1942, Lee Krasner's work was exhibited alongside that of Jackson Pollock, her future husband; Joan Mitchell, Perle Fine, and Mary Abbott were regularly invited to the members-only Eighth Street Club, founded in 1949 by Willem de Kooning, Ad Reinhardt and others; and Elaine de Kooning and Helen Frankenthaler (who later married Robert Motherwell) were included in the seminal 'Ninth Street Exhibition' alongside Krasner and Mitchell, organised by Leo Castelli in 1951- Women also participated in the museum shows of the day; Grace Hartigan took part in the 1956 MoMA exhibition 'Twelve Americans', which also featured paintings by Philip Guston and Franz Kline.
8 weeks: Your baby should be holding their head at a 45-degree angle and holding sustained academic discussions on the merits of the feudal system while sketching portraits reminiscent in style of minimalist pioneer Ad Reinhardt.
The show, at Edgbaston's Barber Institute, features works from Josef Albers, Victor Pasmore, Ad Reinhardt and Bridget Riley.
For in this creative investigation of light there is a palpable echo of Eastern religion and the unspeakable nature of Zen experience -currents which she had encountered as a student at Columbia and which were also embraced by the Trappist mystic, Thomas Merton, whose writings she would have reencountered through her friend, Ad Reinhardt.
Among the 190 beautifully reproduced images are works by Joseph Albers, Milton Avery, Alexander Calder, Helen Frankenthaler, John Lennon and Yoko Ono, Robert Motherwell, Claes Oldenburg, Ad Reinhardt, Saul Steinberg, and E.
She resides within the context of painters at Hunter College that include such colossi as Robert Swain and Sanford Wurmfeld, and a legacy of others, including Ray Parker, Ad Reinhardt, and Doug Ohlson.
Al final de los anos setenta, por ejemplo, cuando parecia que no podia irse mas lejos del limite impuesto por las pinturas negras de Ad Reinhardt o las blancas de Robert Ryman, algunos pintores comenzaron a explorar la posibilidad de regresar a la metafora, a la figuracion, incluso.
Also included in this section is Ad Reinhardt, who developed visual vocabularies that used rectilinear shapes to meld intellectual idea with emotional content, and artworks by like-minded artists Ilya Bolotowsky and sculptor Louise Nevelson, who transformed discarded crates into her architectonic assemblages.
According to Ad Reinhardt Ad Reinhardt's black paintings were the