Adolf Loos

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Adolf Loos
Adolf Franz Karl Viktor Maria Loos
BirthplaceBrünn (Brno), Austria-Hungary
The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Loos, Adolf


Born Dec. 10, 1870, in Brünn (now Brno, Czechoslovakia); died Aug. 22, 1933, in Vienna. Austrian architect.

Loos graduated from the Technische Hochschule in Dresden in 1893. Although he worked in the United States from 1893 to 1896 and in Paris from 1923 to 1928, his major efforts were in Vienna, where he was the principal architect from 1920 to 1922.

Influenced by L. Sullivan, Loos voiced his opposition to the art nouveau style in architecture in the 1890’s, contrasting its picturesqueness and rich ornamentation with the rationalism and accentuated asceticism of his own buildings, as well as with his exploitation of the specific qualities of construction materials. This rejection of art nouveau is expressed in the artist’s article “Ornament and Crime” (1908) and in a number of his architectural works in Vienna (the interior of the Kärntner-Bar, 1907; the office building in the Michaelplatz and the Steiner House, 1910; and the design of the Hoyberg Block, 1922).

Loos’ works, particularly those designed after 1925, reflect neoclassical tendencies, the influence of cubism (the house for T. Tzara in Paris, mid-1920’s), and an interest in folk architecture (the Khuner house in Payerbach, 1930).


Die Schriften, vols. 1–2. Innsbruck, 1931.


Mastera arkhitektury ob arkhitekture. Moscow, 1972. Pages 138–58. Münz, L. A. Loos. Milan, 1956.
The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
References in periodicals archive ?
On the origins and meaning of Minimalism see Joseph Masheck Adolf Loos; The Art of Architecture (London: Tauris, 2013), ch.
(5.) Adolf Loos, "Ornament und Erziehung," in Trotzdem: Gesammelte Schriften (Collected Writings) (Vienna: Prachner, 1997), 177.
AR Critic Jorge Figueira traces your work by decade: in the 1960s your mixed regionalism with brutalism; in the 1970s it was rationalism; in the 1980s you looked to Czech modernist Adolf Loos and in the 1990s you revived classical typologies.
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Adolf Loos (1870-1933), arquitecto y critico de la cultura, fue una de las personalidades mas polemicas de la Viena de fin-de-siecle.