Ai Wu

The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Ai Wu

 

(pseudonym of T’ang Tao Teng). Born 1904. Chinese writer.

Ai Wu grew up in a teacher’s family. He traveled around southwest China and Burma for a long time, sustaining himself with incidental jobs. In Malaya in 1930, he joined the Communist Party. Ai Wu’s writings began to be published in 1931. His early works include the short story collections Notes of a Wanderer (1934) and A Southern Night (1935). The life styles of the peasantry, the urban poor, and the intelligentsia are described in his works written between 1937 and 1947, which include a novel, Native Places, the novellas in Fertile Steppe (1946), and the short story collections entitled Banana Valley (1937) and Autumn Harvest (1944). Among Ai Wu’s best works is a novel about resistance to aggressors, In the Hills (1948). Other publications are My Youthful Years (1944), an autobiographical novella; Return at Night (1957), a collection of short stories; and In Fire Steel Is Born (1958, Russian translation 1959), a novel.

WORKS

Nan Hsing Chi. Peking, 1963.
Nan Hsing Chi Hsü Nien. Peking, 1964.
In Russian translation:
Rasskazy. Moscow, 1956.

V. F. SOROKIN

The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
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References in periodicals archive ?
The resolution identified the complainants as Ai Wu Rong, also known as Ai Wu Yong, Hu Ran, Huang Yong Zheng, Lin Ya Bin, Sun Ren Xim, Cao Yong Feng, Huang Zhi Ping, Zhang Ding, Fang Yu, Gao Wi, and Wu Jun Qiang.
Their arrest was made after Ai Wu Rong, who was in handcuffs, was able to escape at the house at Baypoint Subdivision last April 14.
As he was fleeing, Ai Wu Rong saw and sought the help of two police officers namely Staf Sergeant Jestoni Galon and Patrolman Troadio Balitaosan Jr.
When questioned, Ai Wu Rong narrated that he escaped with handcuffs at the front by passing through a glass window by removing its screw, scaled the grill and wall and had walked along a grassy area until he reached the highway where he saw the officers.
Three exotic views of Southeast Asia: The travel narratives of Isabella Bird, Max Dauthendey, Ai Wu, 1850-1930 By MARIA NOELLE NG White Plains, NY: Eastbridge, 2002.
Maria Noelle Ng's Three exotic views of Southeast Asia uses the narratives of Isabella Bird (1831-1904), Max Dauthendey (1867-1918) and Ai Wu (1904-92) to explore the ways in which travellers have represented Southeast Asia.
Ai Wu's perceptions were shaped by the conflicts over modernisation in China.
Ai Wu went there in 1927 and his writings are fascinating because, as Ng notes, he saw much that colonial travellers did not.
Hung admits that wartime songs and movies fall outside the purview of his study, and future research on wartime literature would also be enriched by reference to literary studies of writers like Ai Wu and Wu Zuxiang and scholarly debates like the one between C.T.
It is a pity that when writing on Zhang Tianyi, Ding Ling, and, later, on Wu Zuxiang, Sha Ting, and Ai Wu, Anderson does not point out the impact of the very negative Soviet On-Guardist criticism of their writings in the 1930s.