Alain Chartier


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Chartier, Alain

 

Born circa 1385, in Bayeux; died circa 1433, in Avignon. French poet.

Chartier was secretary to King Charles VII. As a diplomat, he visited many countries, including Italy. In ballades and rondeaux and in such narrative poems as The Book of the Four Ladies (1424) and La Belle Dame sans merci (1424), Chartier surmounted the linguistic conventions of late medieval love lyrics.

Chartier’s political tracts The Quadrilogue Invective (1422) and The Curial (mid-1420’s) sharply and eloquently addressed France’s problems, especially the decay of the nobility and the suffering of the people, who bore the brunt of the Hundred Years’War of 1337–1453.

WORKS

Le Quadrilogue invectif. Paris, 1923.
La Belle Dame sans merci et les poésies lyriques. Paris, 1945.

REFERENCES

Istoriia frantsuzskoi literatury, vol. 1. Moscow-Leningrad, 1946. Pages 178–79.
Hoffman, E. J. Alain Chartier, His Work and Reputation. New York, 1942.
References in periodicals archive ?
Julio Martin), el Cuadrilogo invectivo de Alain Chartier (en edicion de Clara Pascual-Argente) o las Vidas paralelas de Leonardo Bruni (en edicion de Elisa Borsari).
1528), and the anticourt Curial of Alain Chartier (1483, 1549), each of which follow the pattern of catenary translation.
Debate and Dialogue: Alain Chartier in his Cultural Context.
Un'appendice interessante a questo saggio dimostra come un'opera attribuita ad Alain Chartier sia invece di Ortensio Lando e come attraverso una traduzione francese arrivi nel mondo inglese.
Thus while borrowing the bare bones of his subject from the Chronique du roi Charles VII, by medieval writer Alain Chartier, he drew inspiration from the works of Racine for the form of his play.
Her body, fleshed out in Ronsard's poem from earlier models in Alain Chartier and Christine de Pizan and the figure that Du Bellay coined in the name of "France, mere des arts" in one of the celebrated sonnets of the Regrets (1558), insists that the spirit of nation and of appurtenance is conveyed through an erotically changed maternal object, the mother whom one protects and admires but also the person who arouses desire at the drop of a hat.
Hitherto the poets of only three of Binchois's chansons were known: Charles d'Orleans, Christine de Pisan and Alain Chartier.
All the major Parisian poets, Eustache Deschamps, Alain Chartier, Jean Gerson, and Christine de Pizan became concerned with the problems of escalating violence that had taken hold of the city.
Keats took his title from a medieval poem with the same name by the French poet Alain Chartier.
Alain took his pseudonym from the 15th -century poet Alain Chartier.