Alexander Pope

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Pope, Alexander

Pope, Alexander, 1688–1744, English poet. Although his literary reputation declined somewhat during the 19th cent., he is now recognized as the greatest poet of the 18th cent. and the greatest verse satirist in English.


Pope was born in London of Roman Catholic parents and moved to Binfield in 1700. During his later childhood he was afflicted by a tubercular condition known as Pott's disease that ruined his health and produced a pronounced spinal curvature. He never grew taller than 4 ft 6 in. (1.4 m). His religion debarred him from a Protestant education and from the age of 12 he was almost entirely self-taught.

Although he is known for his literary quarrels, Pope never lacked close friends. In his early years he won the attention of William Wycherley and the poet-critic William Walsh, among others. Before he was 17 Pope was admitted to London society and encouraged as a prodigy. The shortest lived of his friendships was with Joseph Addison and his coterie, who eventually insidiously attacked Pope's Tory leanings. His attachment to the Tory party was strengthened by his warm friendship with Swift and his involvement with the Scriblerus Club.


Pope's poetry basically falls into three periods. The first includes the early descriptive poetry; the Pastorals (1709); Windsor Forest (1713); the Essay on Criticism (1711), a poem written in heroic couplets outlining critical tastes and standards; The Rape of the Lock (1714), a mock-heroic poem ridiculing the fashionable world of his day; contributions to the Guardian; and “Elegy to the Memory of an Unfortunate Lady” and “Eloise to Abelard,” the only pieces he ever wrote dealing with love. In about 1717 Pope formed attachments to Martha Blount, a relationship that lasted his entire life, and to Lady Mary Wortley Montagu, with whom he later quarreled bitterly.

Pope's second period includes his magnificent, if somewhat inaccurate, translations of Homer, written in heroic couplets; the completed edition of the Iliad (1720); and the Odyssey (1725–26), written with William Broome and Elijah Fenton. These translations, along with Pope's unsatisfactory edition of Shakespeare (1725), amassed him a large fortune. In 1719 he bought a lease on a house in Twickenham where he and his mother lived for the rest of their lives.

In the last period of his career Pope turned to writing satires and moral poems. These include The Dunciad (1728–43), a scathing satire on dunces and literary hacks in which Pope viciously attacked his enemies, including Lewis Theobald, the critic who had ridiculed Pope's edition of Shakespeare, and the playwright Colley Cibber; Imitations of Horace (1733–38), satirizing social follies and political corruption; An Essay on Man (1734), a poetic summary of current philosophical speculation, his most ambitious work; Moral Essays (1731–35); and the “Epistle to Arbuthnot” (1735), a defense in poetry of his life and his work.


See the Twickenham edition of his poems (7 vol., 1951–61); his prose works ed. by N. Ault (1936, repr. 1968); his letters ed. by G. Sherburn (5 vol., 1956); biographies by G. Sherburn (1934, repr. 1963), N. Ault (1949, repr. 1967), P. Quennell (1968), and M. Maynard (1988); studies by G. Tillotson (1946; 2d ed. 1950; and 1958), F. W. Bateson and N. A. Joukovsky, ed. (1972), J. P. Russo (1972), P. Dixon, ed. (1973), F. M. Keener (1974), D. B. Morris (1984), L. Damrosch, Jr. (1987), and R. A. Brower (1986).

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The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Pope, Alexander


Born May 21, 1688, in London; died May 30, 1744, in Twickenham. English poet.

Pope received his education at home. In 1711 he published the Essay on Criticism, the manifesto of British Enlightenment classicism. He applied classicist principles in the narrative poem “Windsor-Forest” (1713). In the mock-heroic narrative poem The Rape of the Lock (1712; second version, 1714), he humorrously depicted the way of life and mores of worldly society. Working from the standpoint of conventional “good taste,” Pope emended the “coarse” passages in Homer, producing new translations of the Iliad (1715–20) and the Odyssey (1725–26). He also devoted his energy to “clearing the vulgarity” from Shakespeare’s works (1725 edition).

Pope’s satires the Dunciad (1728) and The New Dunciad (1742), which were directed againt his literary opponents, castigated ignorance and stupidity. In the philosophical narrative poems “Moral Essays” (1731–35) and Essay on Man (1732–34; Russian translation, 1757), Pope glorified the harmony of all that exists. The Essay on Man met with great success in 18th-century Russia, despite the censor’s distortions of the text. Among those who translated Pope’s works into Russian are I. I. Dmitriev and V. A. Zhukovskii.


The Works, vols. 1–10. London, 1871–89.
Literary Criticism. Edited by B. Goldgar. Lincoln, Neb. [1965].
In Russian translation:
“Pokhishchenie lokona.” In Khrestomatiiapo zapadno-evropeiskoi literature XVIII v. Moscow, 1938.


Istoriia angliiskoi literatury, vol. 1, fasc. 2. Moscow-Leningrad, 1945.
Sitwell, E. A. Pope. New York, 1962.
Spacks, P. M. An Argument of Images: The Poetry of A. Pope. Cambridge, Mass., 1971.
A. Pope. Edited by P. Dixon. London, 1972. (References, pp. 311–21).
Griffith, R. H. A. Pope: A Bibliography. Austin, Tex., 1922–27.
The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
References in periodicals archive ?
(2) The connection between the Hagley busts and Pope's will was first made by Geoffrey Beard, 'Alexander Pope', Apollo, vol.
"Within what looks like a bit of fun, people will consider ideas that go back to Rousseau and Alexander Pope. It's a philosophical critique of the world in which we live." The temporary hermit was allowed a tent, Swiss Army knife, stool, chair or blanket, a spiritual text and another text concerning solitude.
She knew all the eminent figures of the day, from John Evelyn to Alexander Pope.
Since corruption, his main political 'issue', was less an issue than a personal threat, the Horatian poems confront questions, as Mack has written, of 'how to survive in a corrupt world' (Alexander Pope: A Life, p.
/ Thou look'st a very Statue of Surprize, / As if a Lightning Blast had dry'd thee up, / And had not left thee Moisture for a Tear.' Although it has been thought that lines may have been contributed to Timoleon by Alexander Pope,(4) these are probably not the leading candidates.
So, at Anselm Kiefer's recent show, I was at first surprised to find myself recalling lines I last read years ago, from Alexander Pope's epic satire The Dunciad, particularly since, when I looked at the poem later, I found it just as I remembered it: that is, unlike Kiefer's work in almost every way.
Shades of Alexander Pope and George Gordon Lord Byron, a novel in verse!
Taking Alexander Pope as our example, we see the young man reading poets in English, French, Italian, Latin, and Greek, and then beginning his own poetic experiments by "hunt[ing] in the authors for a syntax of my own" before proceeding on to "[translate] any parts that pleased me particularly in the best Greek and Latin Poets" (89).
Norman Cousins, another well-known and respected author, comments in his "autobiographical notebook" Human Options: "There are so many movers and shakers that there is hardly room for thinkers." And in a passage that derides the practice of speed-reading, he quotes Alexander Pope as saying, "Some people will never learn anything because they understand everything too soon." Cousins also complains about information overload, saying, "We gorge our senses and starve the sensitivities."
A portrait identified for the past 125 years as depicting Martha Blount (1690-1762), long-time friend of Alexander Pope, has recently been acquired by the Virginia Historical Society in the United States.
Why does Sir Richard Blackmore play such a prominent role in all the versions of Alexander Pope's Dunciad?
Published in five pamphlets in 1712, it was collected (1727) under the composite title Law Is a Bottom-less Pit; or, The History of John Bull in Jonathan Swift and Alexander Pope's three-volume Miscellanies in Prose and Verse.