Almayer's Folly


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Almayer’s Folly

lust for gold leads to decline. [Br. Lit.: Almayer’s Folly]
See: Greed
References in periodicals archive ?
Fiction ALICES ADVENTURES IN WONDERLAND (Carroll), ALL THE KING'S MEN ( Warren), ALMAYER'S FOLLY ( Conrad); BULFINCH'S MYTHOLOGY, "THE CANON'S YEOMAN'S TALE" and 21 other similarly-named "tales" in Chaucer's Canterbury Tales; CHARLOTTE'S WEB (White), GOD'S LITTLE ACRE (Caldwell), GRIMM'S FAIRY TALES, THE HANDMAID'S TALE (Atwood); 7 short stories by Hawthorne: "DR.
Although most of the papers focus on the earlier works--"An Outpost of Progress", Heart of Darkness, Almayer's Folly, Lord Jim--others analyse later texts such as A Personal Record and Victory, and three offer illuminating comparisons between Conrad's vision with those of, variously, Coetzee, Ngugi, and Robert Louis Stevenson.
The first chapter, on Almayer's Folly, An Outcast of the Islands and The Rescue, examines the presence of 'Secret Trades' in the novels, notably gun-running and human trafficking.
Hanyut: "In this daring adaptation of Joseph Conrad's Almayer's Folly, Malaysian director U-wei Bin Haji Sri shifts the protagonist's point of view concerning what it means to be European to his native wife's viewpoint of what it means to be Malay.
2 ALMAYER'S FOLLY (Chantal Akerman) and TABU (Miguel Gomes) The year's best imaginary double bill--two reflections on the lunacy of European colonialism, both inspired by the 1931 Murnau-Flaherty faux doc Tabu: A Story of the South Seas.
Drawing from A Personal Record, where Conrad uses theatrical imagery while reminiscing about his creative process in writing Almayer's Folly and revisiting Conrad's emphasis on fiction as a "visual performance" in the preface to The Nigger of the 'Narcissus', Dryden argues that Conrad's concept "art as performance" is inseparable from the ethico-political underpinnings of his literary project.
Willem's performances of colonial resistance in Outcast of the Islands and Almayer's Folly, the popular theaters of his fiction, moving from stage to screen, post-impressionism and the cinema, shadowgraphy, Shakespeare and Conrad, and his operatic mode.
By that time, his first novel, Almayer's Folly (1895), had already been published, but Conrad "wanted to have something fixed to depend upon" because "[w]ith books one never knows" (CLg, 23).
Hampson notes that in Almayer's folly and Outcast of the islands Conrad's 'Eastern World is .
Robert Hampson argues that Conrad comes to his Malay fiction, Almayer's Folly through the late The Rescue, not only through personal experience but also via a textual tradition already firmly in place, a discourse Hampson refers to as "Writing Malaysia.
The latter would be a quite likely reading of `at his sight' for the post-colonial critic of these days, but Willems, the `man with a red and white face' stumbling about, is not in control of himself or anything, and nor is Almayer, in this or in the first novel, Almayer's Folly.
In Almayer's Folly and An Outcast of the Islands white superiority is shown to be no longer axiomatic and the telling of the tales shifts to reveal the point of view of native people as well as Europeans.