Alonso Cano

Cano, Alonso


Baptized Mar. 19, 1601, in Granada; died there Sept. 3, 1667. Spanish sculptor and painter, representative of the baroque style.

Cano began studying under J. Moñténes and F. Pacheco in Sevilla in 1616. He worked there until 1637. He subsequently worked in Madrid, Valencia, and Granada (from 1652). Maintaining the traditions of painted wooden sculpture, Cano’s polychromatic sculptures are imposing and are characterized by subtle spirituality and eloquent expressiveness. Examples of his sculpture are the retables of the Church of Santa Maria in Le-brija (near Sevilla, 1628–38) and the statues and busts of saints in the Granada Cathedral (1658–60). Cano’s paintings, which are characterized by idealization of forms, external prettiness, and Italian artistic influences, are less distinctive than his sculptures. His paintings include The Virgin Presenting the Infant Christ to St. Anthony (1645–52, Prado, Madrid) and the series Seven Joys of the Virgin (1652–64, Granada Cathedral). In 1703, Cano’s design for the western facade of the Granada Cathedral was carried out by the architect J. Granados.


Wethey, N. E. Alonso Cano. Princeton, 1955.
References in periodicals archive ?
The formative influence on Bacon's Crucifixion imagery was Cimabue's Santa Croce Crucifix, but the early Crucifixion (1933) in this show hangs opposite a beautiful though unrelated Crucifixion (1636-38) by Alonso Cano, under the gaze of Titian's Christ Carrying the Cross (1566-70).
Saint John the Evangelist's Vision of God, and Saint John the Evange-list's Vision of the Lamb by Alonso Cano will be part of the exhibition Alonso Canoy el Retablo de la Iglesia de Santa Paula.
On the same day that Judge Solis handed down his ruling, Noel Alonso Cano, the Leal family's attorney, brought a charge of corruption against Solis.
Few outside the Spanish-speaking world are familiar with the work of, say, sculptors Juan Martinez Montanes or Juan de Mesa, yet they rivalled Velazquez or Alonso Cano in reputation--and deservedly so.