Andrea Del Castagno


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Castagno, Andrea Del

 

Born circa 1421, in Castagno, Tuscany; died Aug. 19, 1457, in Florence. Early Renaissance Italian painter. Representative of the democratic tendency in Florentine art during the mid-15th century.

Castagno was initially influenced by Masaccio, Donatello, and Paolo Uccello. He worked primarily in Florence. In 1442 he worked in Venice, and there is some evidence that in 1454 he worked in Rome. Between 1445 and 1457, Castagno painted the series of frescoes Famous Men and Women, which included portraits of Dante, Boccaccio, Petrarch, and the condottiere Pippo Spano, in the monastery of Santa Apollonia in Florence (now in the Castagno Museum). His work is characterized by resounding colors and fluid, energetic modeling of forms. An intense expressiveness of pose and foreshortening imparts dramatic poignancy to his works. Castagno painted the frescoes The Trinity (Church of the Annunciation, Florence, 1454–55) and The Last Supper (Castagno Museum, 1445–57). His male figures are endowed with energetic vitality and embody all the distinctive features of the Renaissance idea of man.

REFERENCES

Richter, G. M. Andrea del Castagno.Chicago, 1943.
Russoli, F. Andrea del Castagno. Milan, 1957.

V. E. MARKOVA

References in periodicals archive ?
As he says in his joint chapter on Andrea del Castagno and Domenico Veneziano: "emulation and rivalry, when men seek by honest endeavor to vanquish and surpass those greater than themselves in order to acquire glory and honor, are things worthy to be praised and to be held in esteem as necessary and useful to the world."
Fie may also have known Andrea del Castagno's David with the Head of Goliath (ca.
The question of Netherlandish portraiture comes up again in a more intelligent entry by Keith Christiansen on Andrea del Castagno's Portreit of a Man (c.
Opening with a cautious, archivally-based, historical biography, Ciappelli then reviews the collection of commonplaces that constitutes the earliest but non-contemporary vita, attributed to noted preacher and former prior at the Carmine, Pietro di Andrea del Castagno (d.
Andrea del Castagno (1423-1457) rinde homenaje a seis de los personajes de la historia toscana mas ilustres.
Antes de esto, Lanza habia ya escrito la biografia de otro hombre ambivalente, el pintor Andrea del Castagno. En los anos cuarenta, Del Vasto se interesa por De Rais, quiere "escribir la conmovedora conversion de un monstruo" (Ixtus, num.
99 Such examples of the aesthetic of abstract expressionism were endorsed and improvised upon by painters of the Renaissance like Fra Angelico, and Andrea del Castagno.
The Lives of such antiheroes as Buonamico Buffalmaco, Andrea del Castagno, and Baccio Bandinelli, as related by Vasari, offer a literary counterpoint--a narrative tension--necessary for highlighting the accomplishments of the heroes of Vasari's work, and Ladis focuses here on Giotto, Domenico Veneziano, and Michelangelo.
Major painters were engaged here: Domenico Veneziano, the young Piero della Francesca and Bicci di Lorenzo, and later Andrea del Castagno and Alessio Baldovinetti painted frescoes in the Cappella Maggiore of the hospital church of S Egidio.
Be that as it may, it should be noted that the standing guard on Christ's proper right, for whom no Raphael drawing survives, is based upon an ancient statue of the Niobid pedagogue type, which had already served as the basis half a century before for Andrea del Castagno's Washington David.
Dated by inscription to August 1442, the frescoes were painted by the Florentine artist Andrea del Castagno and his assistant Francesco da Faenza (fig.
Maginnis, "Richard Offner and the Ineffable: A Problem in Connoisseurship"; Craig Hugh Smyth, "Glimpses of Richard Offner." Essays by Offner include: "An Early Florentine Dossal"; "Giotto, non-Giotto"; "The Shop of Pacino di Bonaguida"; "Jacopo del Casentino"; "The Master of the Fogg Pieta"; "An Archangel by Bernardo Daddi"; "Four Panels, a Fresco, and a Problem"; "Nardo di Cione"; "Niccolo di Tommaso and the Rinuccini Master"; "The Panels of Antonio Veneziano"; "A Saint Jerome by Masolino"; "Light on Masaccio's Classicism"; "The Unique Portrait by Andrea del Castagno"; "Italian Pictures at the New-York Historical Society and Elsewhere."