Andrea Del Castagno

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Castagno, Andrea Del


Born circa 1421, in Castagno, Tuscany; died Aug. 19, 1457, in Florence. Early Renaissance Italian painter. Representative of the democratic tendency in Florentine art during the mid-15th century.

Castagno was initially influenced by Masaccio, Donatello, and Paolo Uccello. He worked primarily in Florence. In 1442 he worked in Venice, and there is some evidence that in 1454 he worked in Rome. Between 1445 and 1457, Castagno painted the series of frescoes Famous Men and Women, which included portraits of Dante, Boccaccio, Petrarch, and the condottiere Pippo Spano, in the monastery of Santa Apollonia in Florence (now in the Castagno Museum). His work is characterized by resounding colors and fluid, energetic modeling of forms. An intense expressiveness of pose and foreshortening imparts dramatic poignancy to his works. Castagno painted the frescoes The Trinity (Church of the Annunciation, Florence, 1454–55) and The Last Supper (Castagno Museum, 1445–57). His male figures are endowed with energetic vitality and embody all the distinctive features of the Renaissance idea of man.


Richter, G. M. Andrea del Castagno.Chicago, 1943.
Russoli, F. Andrea del Castagno. Milan, 1957.


References in periodicals archive ?
Opening with a cautious, archivally-based, historical biography, Ciappelli then reviews the collection of commonplaces that constitutes the earliest but non-contemporary vita, attributed to noted preacher and former prior at the Carmine, Pietro di Andrea del Castagno (d.
Andrea del Castagno (1423-1457) rinde homenaje a seis de los personajes de la historia toscana mas ilustres.
Antes de esto, Lanza habia ya escrito la biografia de otro hombre ambivalente, el pintor Andrea del Castagno.
99 Such examples of the aesthetic of abstract expressionism were endorsed and improvised upon by painters of the Renaissance like Fra Angelico, and Andrea del Castagno.
The Lives of such antiheroes as Buonamico Buffalmaco, Andrea del Castagno, and Baccio Bandinelli, as related by Vasari, offer a literary counterpoint--a narrative tension--necessary for highlighting the accomplishments of the heroes of Vasari's work, and Ladis focuses here on Giotto, Domenico Veneziano, and Michelangelo.
Major painters were engaged here: Domenico Veneziano, the young Piero della Francesca and Bicci di Lorenzo, and later Andrea del Castagno and Alessio Baldovinetti painted frescoes in the Cappella Maggiore of the hospital church of S Egidio.
Dated by inscription to August 1442, the frescoes were painted by the Florentine artist Andrea del Castagno and his assistant Francesco da Faenza (fig.