Andrzej Munk

Also found in: Wikipedia.
Andrzej Munk
BirthplaceKraków, Poland
The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Munk, Andrzej


Born Oct. 16, 1921, in Kraków; died Sept. 20, 1961, near Ośwęcim. Polish film director.

In 1951, Munk graduated from the Higher School of Cinematography and Theatrical Art in -Lodz. From 1949 he was a cameraman and director for newsreels. He photographed the films Destination—Nowa Huta (1951), The Railroad Man Speaks (1953), and Stars Must Shine (1954, with V. Lesiewicz), to name a few. In 1955 he directed his first feature film. Fame came to Munk with the films Man on Rails (1957), Eroica (1958), and Bad Luck (1960, shown in the Soviet Union under the title Six Transformations of Jan Piszczik). Munk’s last film, The Passenger (after the novella of the same name by Z. Posmysz), was completed by Lesiewicz in 1963. Munk’s films reveal the characters of the protagonists in critical and tense situations. A number of his works have been awarded prizes at international film festivals in Venice (1955, 1958), Karlovy Vary (1957), and elsewhere.


Rubanova, I. Pol’skoe kino 1945–1965. Moscow, 1966.
Markulan, la. Kino Pol’shi. Leningrad, 1967.
Andrzej Munk. Warsaw, 1964. (Contains references.)
The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
Mentioned in ?
References in periodicals archive ?
(Her exceptional commendation of Andrzej Munk's Eroica ("One, Two, Three" 153-4) suggested less sympathy with the strain of pathos in East European cinema than its equally-important ironies.
Members of the school, including Wajda, Andrzej Munk and Has, took inspiration from the challenging events and changes in the history of Poland during World War II and the Nazi occupation.
The palimpsestic nature of camp writing (in the chapter "Text on the Shoah as Palimpsest") is addressed on the basis of a case study of The Woman Passenger (Pasazerka, 1963), an acclaimed film directed by Andrzej Munk. The very same film becomes intertwined in the broader analysis of the treatment of German women in postwar Polish literature ("Antagonistic 'National' Identities and Female Memories.
Film Festival was early to acknowledge the art of Polish director Andrzej Munk, whose "Men of Blue Cross" won best first film in 1955, followed by the short film prize in 1958 for "A Walk in the Old City of Warsaw."