di Angelo Poliziano
e l'edizione romana di Johannes Bulle.
." Encyclopedia of the Renaissance.
(7) Angelo Poliziano
, latinizado Angelus Politianus, viveu entre
WOLVERHAMPTON: 2.30 Angelo Poliziano
, 3.05 Miss Bunter, 3.35 Tebee's Oasis, 4.10 Alhaban, 4.45 Tyrur Ted, 5.15 Back On The Trail, 5.50 Big Sylv.
A margine di questa cursoria indagine, certo bisognosa di ulteriori, piu minuziosi escavi, sulla ricezione del Sofocle frammentario nell'opera di Angelo Poliziano
, emerge evidente l'interesse che l'umanista nutriva anche per quei testi dell'antichita solo in minima parte sottrattisi all'iniuria temporis.
AYR: 2.15 Abbey Garth, 2.50 Seven Is Lucky, 3.25 Master D'Or, 4.00 Nelson Du Ronceray, 4.35 Circus Clown, 5.10 Hockenheim, 5.40 Kris Cross CHEPSTOW: 1.55 Hobb's Dream, 2.30 Finnegan Paddy, 3.05 Minella Stars, 3.40 Sandynow, 4.15 Umoristic, 4.50 Buffalo Bob, 5.25 Bennys Mist GOWRAN: 2.10 Don Leone, 2.45 Moyne Nineoseven, 3.20 Owennacurra Milan, 3.55 Jack Absolute, 4.25 Gagewell Flyer, 4.55 Agus A Vic, 5.30 Torn Asunder SANDOWN: 2.05 Ambion Wood, 2.40 Ballyfoy, 3.15 ILE DE RE (NAP), 3.50 Taradrewe, 4.25 Sanctuaire, 5.00 Aldertune WOLVERHAMPTON: 2.20 Docofthebay, 2.55 Performing Pocket, 3.30 Loyalty, 4.05 Legendary, 4.40 Angelo Poliziano
, 5.15 Alben Star, 5.45 Halla San DOUBLE: Ile De Re and Loyalty
NEWSBOY 2.30 SARASOTA SUNSHINE, 3.00 NORTHERN EMPIRE, 3.30 RED CADEAUX, 4.00 BEAUCHAMP VICEROY, 4.30 BRADFORD, 5.00 LA VOILE ROUGE, 5.30 BARODINE BOUVERIE 2.30 SARASOTA SUNSHINE, 3.00 HARRY UP (NAP), 3.30 CALALOO, 4.00 BEAUCHAMP VICEROY, 4.30 FONTERUTOLI, 5.00 CARLETON, 5.30 HITS ONLY CASH DOUBLE: HARRY UP and CALALOO NORTHERN CORRESPONDENT: 2.30 ANGELO POLIZIANO
, 4.00 DABBERS RIDGE, 5.30 NINTH HOUSE TOPSPOT: 4.00 BEAUCHAMP VICTORY
Ciceronian Controversies contains the literary exchanges between Angelo Poliziano
and Paolo Cortesi (mid-1480s), Gianfrancesco Pico and Pietro Bembo (1512-13), Giambattista Giraldi Cinzio and Celio Calcagnini (1532-37), and selections from the treatises of Antonio Possevino (1593-1603).
Pietro's abiding love of Petrarch and the Tuscan poets had been seeded in him by his father, Bernardo Bembo, and as a boy Pietro went with him on embassy to Florence to be educated in the city of Lorenzo de' Medici, Angelo Poliziano
and Cristoforo Landino--those men who studied Latin and Greek with a view to elevating their own vernacular Tuscan.
Barolsky does this by "focusing on a small corpus of images" But as with Dante, small keys open large doors; moreover Barolsky makes abundant use of Michelangelo's poetry (considered by some to be the greatest Italian poetry of the 16th century), his letters, the contemporary biographies by Ascanio Condivi and Giorgio Vasari, his relationship to Florentine neo-Platonism (and thus his relations with Lorenzo de Medici and the poet Angelo Poliziano
), his intensive reading of Ovid, of Dante, and of course the Hebrew and Christian Bibles.
It is, of course, at best a simplification to describe the period between Petrarch's death (1374) and Angelo Poliziano
's first major vernacular work, Le stanze per la giostra del Magnifico Giuliano di Piero de' Medici (c.
178), but there is one Renaissance intertext which, though it has preoccupied art historians trained in the Warburg school, has as yet failed to interest French Renaissance specialists; namely, Angelo Poliziano
's Stanze per la giostra di Giuliano de 'Medici, composed in honor of a joust held in Florence in 1475.