Anna Comnena

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Anna Comnena

(än`nə kŏmnē`nə), b. 1083, d. after 1148, Byzantine princess and historian; daughter of Emperor Alexius I. She plotted, during and after her father's reign, against her brother, John IIJohn II
(John Comnenus) , 1088–1143, Byzantine emperor (1118–43), son and successor of Alexius I. He was crowned despite the intrigues of his sister, Anna Comnena, and of his mother, Irene.
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, in favor of her husband, Nicephorus Bryennius, whom she wished to rule as emperor. Having failed, she retired to a convent. There she wrote the Alexiad (finished in 1148), one of the outstanding Greek historical works of the Middle Ages. Covering the reign of Alexius I and the First Crusade, it tends to glorify her father and his family; however, Anna's familiarity with public affairs and her access to the imperial archives give her work great value. There is an English translation by E. R. Sewter (1979).

Bibliography

See biography by G. Buckler (1929).

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References in periodicals archive ?
30); Jakov Ljubarskij, 'Why is the Alexiad a Masterpiece of Byzantine Literature?', in Anna Komnene, ed.
(31) Angeliki Laiou, 'Introduction: Why Anna Komnene?', in Anna Komnene, ed.
He briefly discusses Zonaras and Skoutariotes but of necessity focuses on the longest and most detailed, Anna Komnene's Alexiad.
Among the topics examined are learned women of Byzantium and the surviving record, Anna Komnene's will, new evidence on lead flasks and devotional patterns from Crusader Jerusalem to Byzantium, the posthumous miracles of St.
Herrin, who is the author of a recent book on Byzantine empresses, includes a persuasive portrait of Anna Komnene as writer, princess, and political actor, and emphasizes women's roles throughout the work.
Frank] is irresistible,' wrote the Byzantine Anna Komnene; `he would bore his way through the walls of Babylon'.
Essays include: voice, signature, mask: the Byzantine author; the ethics of authorship: some tensions in the 11th century; the poems of the late Gregory the Monk; authorial voice and self-presentation in a 9th-century hymn on the prodigal son; aristocracy and literary production in the 10th century; authorial identity and authorial intention in Michael ChoniatesAEs work; anonymity, dispossession and reappropriation in the Prolog of Nikephoros Basilakes; authorship and gender (and) identity: womenAEs writing in the Middle Byzantine; the authorial voice of Anna Komnene. There are notes on citation and transliteration, notes on contributors, a list of abbreviations, and bibliography.