William Wordsworth

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Wordsworth, William

Wordsworth, William, 1770–1850, English poet, b. Cockermouth, Cumberland. One of the great English poets, he was a leader of the romantic movement in England.

Life and Works

In 1791 he graduated from Cambridge and traveled abroad. While in France he fell in love with Annette Vallon, who bore him a daughter, Caroline, in 1792. Although he did not marry her, it seems to have been circumstance rather than lack of affection that separated them. Throughout his life he supported Annette and Caroline as best he could, finally settling a sum of money on them in 1835.

The spirit of the French Revolution had strongly influenced Wordsworth, and he returned (1792) to England imbued with the principles of Rousseau and republicanism. In 1793 were published An Evening Walk and Descriptive Sketches, written in the stylized idiom and vocabulary of the 18th cent. The outbreak of the Reign of Terror prevented Wordsworth's return to France, and after receiving several small legacies, he settled with his sister Dorothy in Dorsetshire. Wordsworth was extraordinarily close to his sister. Throughout his life she was his constant and devoted companion, sharing his poetic vision and helping him with his work.

In Dorsetshire Wordsworth became the intimate friend of Samuel Taylor Coleridge and, probably under his influence, a student of David Hartley's empiricist philosophy. Together the two poets wrote Lyrical Ballads (1798), in which they sought to use the language of ordinary people in poetry; it included Wordsworth's poem “Tintern Abbey.” The work introduced romanticism into England and became a manifesto for romantic poets. In 1799 he and his sister moved to the Lake District of England, where they lived the remainder of their lives. A second edition of the Lyrical Ballads (1800), which included a critical essay outlining Wordsworth's poetic principles, in particular his ideas about poetic diction and meter, was unmercifully attacked by critics.

In 1802 Wordsworth married Mary Hutchinson, an old school friend; the union was evidently a happy one, and the couple had four children. The Prelude, his long autobiographical poem, was completed in 1805, though it was not published until after his death. His next collection, Poems in Two Volumes (1807), included the well-known “Ode to Duty,” the “Ode: Intimations of Immortality,” and a number of famous sonnets.

Thereafter, Wordsworth's creative powers diminished. Nonetheless, some notable poems were produced after this date, including The Excursion (1814), “Laodamia” (1815), “White Doe of Rylstone” (1815), Memorials of a Tour of the Continent, 1820 (1822), and “Yarrow Revisited” (1835). In 1842 Wordsworth was given a civil list pension, and the following year, having long since put aside radical sympathies, he was named poet laureate.


Wordsworth's personality and poetry were deeply influenced by his love of nature, especially by the sights and scenes of the Lake Country, in which he spent most of his mature life. A profoundly earnest and sincere thinker, he displayed a high seriousness comparable, at times, to Milton's but tempered with tenderness and a love of simplicity.

Wordsworth's earlier work shows the poetic beauty of commonplace things and people as in “Margaret,” “Peter Bell,” “Michael,” and “The Idiot Boy.” His use of the language of ordinary speech was heavily criticized, but it helped to rid English poetry of the more artificial conventions of 18th-century diction. Among his other well-known poems are “Lucy” (“She dwelt among the untrodden ways”), “The Solitary Reaper,” “Resolution and Independence,” “Daffodils,” “The Rainbow,” and the sonnet “The World Is Too Much with Us.”

Although Wordsworth was venerated in the 19th cent., by the early 20th cent. his reputation had declined. He was criticized for the unevenness of his poetry, for his rather marked capacity for bathos, and for his transformation from an open-minded liberal to a cramped conservative. In recent years, however, Wordsworth has again been recognized as a great English poet—a profound, original thinker who created a new poetic tradition.


See his poetical works, ed. by E. de Selincourt and H. Darbishire (5 vol., 1940–49); his prose works, ed. by W. J. B. Owen and J. W. Smyser (3 vol., 1974); correspondence with his sister, ed. by E. de Selincourt (6 vol., 1967–82); biographies by M. Moorman (2 vol., 1965), S. Gill (1984), K. R. Johnston (1999), and J. Barker (rev. ed. 2005); studies by M. Reed (1967), F. E. Halliday (1970), R. Rehder (1981), J. K. Changler (1984), P. Hamilton (1986), A. J. Bewell (1989), D. Bromwich (1999), and A. Potkay (2012); G. McMaster, William Wordsworth: A Critical Anthology (1973); A. Sisman, The Friendship: Wordsworth and Coleridge (2007).

Dorothy Wordsworth

Wordsworth's sister, Dorothy Wordsworth, 1771–1855, is known principally for her poems and for her journals, which have proved invaluable for later biographies and studies of the poet. These journals, the first of which was started in 1798, are written in delicate, exquisite diction, and describe the Wordsworth household, friends, and travels. For the last 20 years of her life Dorothy Wordsworth was an invalid, suffering from an obscure illness that made her prematurely senile.


See her journals, ed. by H. Darbishire (2 vol., 1958; rev. ed. 1971, ed. by M. Moorman, repr. 1991); biography by E. de Selincourt (1933); A. M. Ellis, Rebels and Conservatives: Dorothy and William Wordsworth and Their Circle (1967); E. Hardwick, Seduction and Betrayal (1974); F. Wilson, The Ballad of Dorothy Wordsworth (2009).

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The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Wordsworth, William


Born Apr. 7, 1770, at Cock-ermouth; died Apr. 23, 1850, at Rydal Mount, near Gras-mere, Westmorland. English poet.

Wordsworth graduated from Cambridge University. He experienced the influence of the Great French Revolution and sympathized with the victims of the agrarian-industrial revolution in Britain (the narrative poem Guilt and Sorrow, 1793-94). At the end of the 1790’s Wordsworth established close relations with S. Coleridge and R. Southey, and they formed an association based on mutually shared ideas, known as the Lake School. In 1798, Wordsworth and Cole-ridge jointly published the collection Lyrical Ballads; the foreword to the second edition of this collection (1800) became the aesthetic manifesto of conservative romanticism. Having broken away from the classicist standards of the 18th century, Wordsworth wrote about the ruination of the centuries-old bases of peasant life in his ballads, which are permeated with sincere feeling (We Are Seven, The Brothers)’, he conveyed the thoughts of simple laborers, the natural beauty of his country (“Lines Written in Early Spring”) and the strength of love (Lucy). Wordsworth wrote poems about the Negroes who had revolted in Haiti and about the Tirolean peasants who were struggling against Napoleon (the cycle Sonnets Dedicated to Liberty, 1802-16); this same cycle also included officially patriotic poems. With the passing years Wordsworth became more and more inclined to take conservative positions: for example, in his Ecclesiastical Sonnets (1822) he represented the history of Europe as a change in religious doctrines. In his autobio-graphical narrative poem The Prelude (1850), Wordsworth rejected the radicalism of his youth. In 1843 he received the title of poet laureate.


Poetical Works. London, 1956.
Literary Criticism. London, 1966.
In Russian translation:
In S. Ia. Marshak. Sobr. soch., vol. 3. Moscow, 1959.


Elistratova, A. A. Nasledie angliiskogo romantizma i sovremennost’. Moscow, 1960.
Rader, M. Wordsworth: A Philosophical Approach. [Oxford] 1967.
Sneath, E. H. Wordsworth: Poet of Nature and Poet of Man. Port Washington, N. Y., 1967.
Moorman, M. W. Wordsworth: A Biography, vols. 1-2. Oxford, 1957-65.
Peek, K. M. Wordsworth in England. New York, 1969.


The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
References in periodicals archive ?
Wordsworth's success in "Tintern Abbey" at both revealing and concealing this personal love affair is partly due to the conflation of the unnamed love-object, Annette Vallon, with a named love-object, Nature.
(79-89) One can see how easily these lines could apply not only to nature, but also to Wordsworth's experience with Annette Vallon, evoking a time between boyhood and a more mature adulthood.
Ward describes sexuality in Wordsworth's poems "as a turbulence for the poet, a madness sometimes, at other times a desire, a power, a formality, a guilt, or something present yet wholly unknowable," involving "frequent expressions of motion and dizziness, even vertigo." (55) Wordsworth's invocation of the Song of Songs at this point in his mini-autobiography is thus profoundly resonant: he alludes to his relationship with Annette Vallon and his avoidance of its attendant responsibilities; he elliptically describes his "Fall" from childhood into the sexual awareness of adolescence, with all of its attendant emotions and physical sensations; and he pictures himself in the present, "still / A lover" (103-4) of the "Nature [who] never did betray / The heart that loved her" (123-24).
Though Emile Legouis asserts that Vaudracour and Julia is "the only place in his works" where Wordsworth describes "the intoxication of passion" (62) and that Descriptive Sketches is the only poem in which he " [had] the frankness to hint at the whole affair [with Vallon], though he shirked the opportunity of recounting it in full," (63) one could add "Tintern Abbey" to the list of poems in which Wordsworth alludes to his relationship with Annette Vallon. In "Tintern Abbey," via an allusion to the Song of Songs, Words worth pictures himself as a lover--ultimately a betraying lover--as he poetically replaces the abandoned Annette Vallon with nature and then with his sister Dorothy.
to view another register of language in the poem, which is usually excluded from critics' consideration as much as its language of social pain: namely, as noted earlier, the passionately erotic language that contains his feelings for Annette Vallon, "more like a man / Flying from something that he dreads, than one / Who sought the thing he loved." (65) This is not "another" register of language, but the same: Wordsworth's allusive language is identical with his passionately erotic language in "Tintem Abbey," as he draws on the Song of Songs to express the enraptured feelings of a lover and the guilt over abandoning his beloved.
Off the track for three months after finishing second on her debut, Annette Vallon showed plenty of ability on her re-appearance at Folkestone when beating Mukaabed by three-quarters of a length after leading inside the final furlong.
Distaff: 5 Annette Vallon, Vita Spericolata, Honesty Fair, 6 Flying Millie, 7 Magic Of Love, Mujado, Alshadiyah, 8 Palace Affair, Damalis, Autumnal, 12 bar.
In this year's renewal (4.10, Lingfield), I'm not sure if Blue Reigns is going to turn out to be an Amicable or an Annette Vallon, but I'm certain he is going to attract plenty of interest in the betting shops this morning.
.Eddery landed the second leg on well-bred Annette Vallon in the five-furlong maiden.