Annette Von Droste-Hülshoff

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Droste-Hülshoff, Annette Von

 

(Anna Elisabeth von Droste-Hiilshoff). Born Jan. 10, 1797, in the village of Hiilshoff, near Munster; died May 24, 1848, in Meersburg. German writer, a member of the old Westphalian nobility.

Droste-Hulshoff was the author of several collections of lyric poetry, including Verses (1838), Heath Scenes (1841-42), and Mountains, Forests, and Sea (1841-42), and the religious verses The Spiritual Year (published 1851) and Last Gifts (published 1860). Her work idealizes patriarchal Germany. She wrote several works in the romantic style, including the dramas Bertha (1814) and Walther (1818) and the narrative poems Hotel on the Great St. Bernard (1830) and The Battle at Loerner Bruch (1837). In Westphalian Sketches (1845) she realistically depicted the ways of the peasantry.

WORKS

Sämtliche Werke, parts 1-6. Edited by J. Schwering. Berlin [1939]. Werke. Hamburg-Berlin, 1959.

REFERENCES

Marx, K., and F. Engels. Ob iskusstve, vol. 2. Moscow, 1967. Page 527.
Mehring, F. Beiträge zur deutschen Literatur. Berlin, 1927.
Nettesheim, J. Die geistige Welt der Dichterin A. Droste zu Hüls-hoff. Münster, 1967.
References in periodicals archive ?
'Die Struktur des Idyllischen im Werk der Annette von Droste-Hulshoff' (1974-75) explains the threat of the uncanny that Droste observes in the idyllic landscape of her home both as the effect of natural and political forces and as a projection of her fear that the unresolved contrast between her parents creates in her a divided self.
This paper investigates the grotesque female figures constructed by three German women writers of the early nineteenth century: Dorothea Veit-Schlegel, Annette von Droste-Hulshoff and Caroline de la Motte Fouque.
"Protected Self-Revelation: A Study of the Works of Four Nineteenth-Century Women Poets: Marceline Desbordes-Valmore, Annette von Droste-Hulshoff, Elizabeth Barrett-Browning, and Emily Bronte." California, Irvine, 1981 (Renee Hubert).
The second discusses Johanna and Adele Schopenhauer, Ottilie von Goethe and Annette von Droste-Hulshoff, women who stood, in some way or another, in the Weimar sphere.
There are many allusions and secret homages to such authors as Paul Celan, Ingeborg Bachmann, Paul Scheerbart, Annette von Droste-Hulshoff, and Franz Kafka, whose prose texts such as "Die Judenbuche" or "Ein Landarzt" inspire the narrator to tell them anew.
Annette von Droste-Hulshoff's use of Byronic imagery to express a quite un-Byronic sensibility.
(8) Annette von Droste-Hulshoff, 'An ***', in Historische-kritische Ausgabe, 1/1: Gedichte zu Lebzeiten: Text, ed.
"In Search of the Romantic Female Voice: Annette von Droste-Hulshoff and Rosalia De Castro." Pennsylvania State, 1994 (Raymond Fleming).
The diversity is illustrated in contributions on Luise Gottsched, Catherine the Great, Elise Burger, Charlotte von Stein, Caroline von Wolzogen, Karoline von Gunderrode, Annette von Droste-Hulshoff, Charlotte Birch-Pfeiffer, Marie von Ebner-Eschenbach, Else Lasker-Schuler, Ingeborg Drewitz, Ingeborg Bachmann, Gerlind Reinshagen, Elfriede Jelinek, Ginka Steinwachs, Ria Endres and Kerstin Specht.