Antonio Maceo


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Maceo (Y Grajales), Antonio

 

Born June 14, 1845, in Santiago de Cuba; died Dec. 7, 1896, in San Pedro. One of the leaders of the national liberation struggle of the Cuban people against Spanish rule. The son of a peasant.

Maceo entered the rebel army at the start of the Ten Years’ War for independence (1868-78). In 1878 he received the rank of major general in the Army of Liberation. After the war he lived in exile in various countries of America and prepared a new armed uprising in Cuba. In April 1895, Maceo and a group of patriots disembarked in Cuba and headed the insurgent forces of Orient Province. In September he became the deputy commander in chief of the Army of Liberation. In the three months from October 1895 to January 1896, the army he headed battled its way across the whole island. Maceo perished in battle near San Pedro.

REFERENCES

Zorina, A. M. Iz geroicheskogo proshlogo kubinskogo naroda. Moscow, 1961.
Franco José, L. La vida heróica y ejemplar de Antonio Maceo. Havana, 1963.
References in periodicals archive ?
Such a noble task earned him the respect and admiration of the Maestro and Antonio Maceo. "He wants Cuba with that love of life and death and that heroic spark with which he has to love in these days of trial, who really loves her.
Case studies include the Venceremos Brigade, now nearing its 50th anniversary (Chapter 1); the lesser-known CubanAmerican Antonio Maceo Brigade (Chapter 4); the dozens of hijackings to Cuba carried out by US citizens between 1968 and 1973 (Chapter 3); and African-American exiles, fugitives, and ex-pats in Cuba (Chapter 5).
It is this latter connotation, which is bound up with technological qualities of resilience (such as what can be observed in a given materials ability to revert to its original form after deformation or assault), that serves as the contextual matrix for my analysis of the psychical qualities of Operation Antonio Maceo. Paying attention to these more nebulous aspects through a type of "thematic amplification"--the experiential research device of detecting and describing recurrent themes in narratives that Sunnie D.
En La ultima adivinanza del mundo (2009) un campesino sale de su poblado para luchar junto a Antonio Maceo en la guerra de independencia nacional contra el ejercito espanol (1868-78).
"Me dijo que habia sostenido controversias con los poetas de Serafin Sanchez, de Maximo Gomez, de Antonio Maceo y los de Leoncio Vidal y que todos los oficiales con mando en el Ejercito Libertador tenian sus poetas.
En el caso de estudio, el legado de cincuenta familias cubanas y su lider Antonio Maceo Grajales que, involucrados en la guerra de independencia de Cuba, desde Costa Rica se organizaron para aportar a la causa libertadora recursos materiales y humanos.
Before the talks, Shoigu laid a wreath at the Cacahual Mausoleum outside Havana holding the remains of the independence war hero Antonio Maceo (1845-1896).
When he died in 1895, Marti was considerably less well known and celebrated on the island than fellow revolutionaries Maximo Gomez and Antonio Maceo. It took a new generation of left-leaning nationalists in the 1920s to begin the process of mythification and mystification that culminated in Marti's enshrinement as Cuba's secular "Apostle" of independence, not to mention his later repackaging as the Cuban Revolution's "intellectual author." Ottmar Ette's Jose Marti: Apostel-Dichter-Revolutionar (1991) remains the most comprehensive work explicitly devoted to Marti's reception history; more recently Lillian Guerra's The Myth of Marti (2005) focuses more narrowly on Marti's reputation during Cuba's first decades as a neocolonial state.
Yo que me pasaba la vida sin atender a clases, conversando de cualquier cosa con el companerito mas cercano, por lo que recibia cocotazos del profesor; de pronto comence a prestar atencion cuando relataba la tragedia de los estudiantes de medicina de 1871, y me despertaba el coraje cuando narraba el heroismo de Antonio Maceo y lo nebuloso, para el, de su muerte.
El general Antonio Maceo no estuvo de acuerdo con los terminos de la supuesta paz y lleva a cabo la conocida Protesta de Baragua, manifiesto en donde el lider revolucionario sostiene la no consecucion de los objetivos principales de la revolucion: independencia y abolicion de la esclavitud.
The work of Frances Harper is explored in her celebration of transnational heroes and heroines of Afrodescendentes such as Zumbi, the last king of the Palmares or Quilombo in Brazil, and General Antonio Maceo, an Afro-Cuban leader of Cuban independence movement to show her transgression of national, historical, cultural, and gender boundaries.
A deep internationalist, Jayne could tell us "I see Chano Pozo" "Is there anyone finer today ole okay/Oye I say/I see Chano Pozo/Chano Pozo from Havana Cuba" so we can dig that Afro-Cuban connect joined at the Hip and take us "to the spirit house of Antonio Maceo."